Koto (instrument) - Construction

Construction

A koto is typically made of Paulownia wood. The treatment of the wood before making the koto varies tremendously: one koto maker seasons the wood for perhaps a year on the roof of the house. Some wood may have very little treatment. Kotos may or may not be adorned, some adornments include inlays of ivory and ebony, tortoise shell, metal figures, etc.

The bridges (Ji) used to be made of ivory, but nowadays are typically made of plastic, and occasionally made of wood. For some very low notes, there are small bridges made, as well as specialty bridges with three different heights, depending on the need of the tuning. When a small bridge is unavailable for some very low notes, some players may, as an emergency measure, use a bridge upside down. Of course, such an arrangement is unstable, and the bridge would have a tendency to fall down. Bridges have been known to break during playing, and with some older instruments which have the surface where the bridges rest being worn due to much use, the bridges may fall during playing, especially when pressing strings. There are, of course, various sorts of patch materials sold to fill the holes which cause the legs of a bridge to rest on an unstable area.

The strings are made from a variety of materials. Various types of plastic strings are popular. Silk strings are still made. Silk strings are usually yellow in color, but they cost more and are not as durable, but claimed to be more musical. The strings are tied with a half hitch to a roll of paper or cardboard, about the size of a cigarette butt, strung through the holes at the head of the koto, threaded through the holes at the back, tightened, and tied with a special knot. Strings can be tightened by a special machine, but often are tightened by hand, and then tied. One can tighten by pulling the string from behind, or sitting at the side of the koto, although the latter is much harder and requires much arm strength. Some instruments may have tuning pins (like a piano) installed, to make tuning easier.

For every part of the koto there is a traditional name which connects with the opinion that the body of a koto resembles that of a dragon. The name for the top is therefore "Dragonshell" (Ryuko/竜甲)(the Asian dragon is believed to have a shell like a turtle), the lower part is called the "Dragonstomach" (Ryuhara/竜腹), one end of the koto, noticeable because of the removable colorful fabricshell, is known as the "Dragonhead". The "Dragonhead" consists of the "Dragonhorns" (Ryukaku/竜角), "Dragontongue" (Ryushita/竜舌) and so on. The lower part of the koto implies the "Dragontail" and the Heavens Seat (Tenmiyo/天御代) or Cloudhorns (Kumokaku/雲角), a description of the wooden pillow for the strings.

Read more about this topic:  Koto (instrument)

Famous quotes containing the word construction:

    When the leaders choose to make themselves bidders at an auction of popularity, their talents, in the construction of the state, will be of no service. They will become flatterers instead of legislators; the instruments, not the guides, of the people.
    Edmund Burke (1729–1797)

    There is, I think, no point in the philosophy of progressive education which is sounder than its emphasis upon the importance of the participation of the learner in the formation of the purposes which direct his activities in the learning process, just as there is no defect in traditional education greater than its failure to secure the active cooperation of the pupil in construction of the purposes involved in his studying.
    John Dewey (1859–1952)

    No construction stiff working overtime takes more stress and straining than we did just to stay high.
    Gus Van Sant, U.S. screenwriter and director, and Dan Yost. Bob Hughes (Matt Dillon)