Kōan - Etymology

Etymology

The Japanese term kōan is the on'yomi Sino-Japanese reading of Chinese gong'an (Chinese: 公案; pinyin: gōng'àn; Wade–Giles: kung-an; literally "public case"), which means "(complicated) legal case; table to hold documents of a case; (Buddhist) koan (knotty problem in Zen); (traditional) detective stories; a much discussed issue; a sensational affair." This word compounds gong (公) "public affairs; official duties; common; collective; fair; impartial; make public" and an (案) "(archeology) rectangular stand for supporting wine vessels; table; desk; (law) case; record; file."

According to the Yuan Dynasty Zen master Zhongfeng Mingben (中峰明本 1263–1323), gōng'àn abbreviates gōngfǔ zhī àndú (公府之案牘, Japanese kōfu no antoku – literally the andu "official correspondence; documents; files" of a gongfu "government post"), which referred to a "public record" or the "case records of a public law court" in Tang-dynasty China. Kōan/gong'an thus serves as a metaphor for principles of reality beyond the private opinion of one person, and a teacher may test the student's ability to recognize and understand that principle.

Commentaries in kōan collections bear some similarity to judicial decisions that cite and sometimes modify precedents. An article by T. Griffith Foulk claims

...Its literal meaning is the 'table' or 'bench' an of a 'magistrate' or 'judge' kung.

Gong'an was itself originally a metaphor — an article of furniture that came to denote legal precedents. For example, Di Gong'an (狄公案) is the original title of Celebrated Cases of Judge Dee, the famous Chinese detective novel based on a historical Tang dynasty judge. Similarly, Zen kōan collections are public records of the notable sayings and actions of Zen disciples and masters attempting to pass on their teachings.

Read more about this topic:  Kōan

Famous quotes containing the word etymology:

    The universal principle of etymology in all languages: words are carried over from bodies and from the properties of bodies to express the things of the mind and spirit. The order of ideas must follow the order of things.
    Giambattista Vico (1688–1744)

    Semantically, taste is rich and confusing, its etymology as odd and interesting as that of “style.” But while style—deriving from the stylus or pointed rod which Roman scribes used to make marks on wax tablets—suggests activity, taste is more passive.... Etymologically, the word we use derives from the Old French, meaning touch or feel, a sense that is preserved in the current Italian word for a keyboard, tastiera.
    Stephen Bayley, British historian, art critic. “Taste: The Story of an Idea,” Taste: The Secret Meaning of Things, Random House (1991)