Leitmotif - Literature and Drama

Literature and Drama

'Leitmotif' is sometimes used by literary or dramatic critics to refer to a recurring event, image, object or character in a story, poem, film or play. Leitmotifs (or motifs) become significant to the meaning of the overall work when they develop thematic importance. In film, such a motif is most frequently a plot device, image, character trait, or element of the mise en scène.

Leitmotif-like techniques, with word patterns replacing melodies, are said to be used in the "Sirens" chapter of Ulysses by James Joyce (chapter 11). Critics argue that there are recurring themes of music that begin at the beginning of the chapter and continue throughout the rest of the chapter, and also the book.

The "leitmotif" is also present in Joyce's A Portrait of the Artist as a Young Man. The themes of the Virgin Mary and the Greek myth of Stephen's namesake, Daedalus, are some of the more noticeable leitmotifs throughout the work. The leitmotif in this novel provides unity as the character of Stephen matures.

Samuel Beckett uses leitmotifs throughout his body of works. Other writers who have used similar techniques include Virginia Woolf, Kurt Vonnegut, Joseph Heller, Thomas Mann, Chuck Palahniuk, and Julian Barnes in his 1989 novel A History of the World in 10½ Chapters.

Read more about this topic:  Leitmotif

Famous quotes containing the words literature and, literature and/or drama:

    Views of women, on one side, as inwardly directed toward home and family and notions of men, on the other, as outwardly striving toward fame and fortune have resounded throughout literature and in the texts of history, biology, and psychology until they seem uncontestable. Such dichotomous views defy the complexities of individuals and stifle the potential for people to reveal different dimensions of themselves in various settings.
    Sara Lawrence Lightfoot (20th century)

    [The] attempt to devote oneself to literature alone is a most deceptive thing, and ... often, paradoxically, it is literature that suffers for it.
    Václav Havel (b. 1936)

    If melodrama is the quintessence of drama, farce is the quintessence of theatre. Melodrama is written. A moving image of the world is provided by a writer. Farce is acted. The writer’s contribution seems not only absorbed but translated.... One cannot imagine melodrama being improvised. The improvised drama was pre-eminently farce.
    Eric Bentley (b. 1916)