Theatre
- 1955 : Orvet, by Jean Renoir, director Jean Renoir, Théâtre de la Renaissance
- 1956 : Gigi, by Anita Loos, director Sir Peter Hall, New Theatre, London
- 1961 : La sauvage, by Jean Anouilh, BBC (live), London
- 1961 : Ondine, by Jean Giraudoux, director Sir Peter Hall, Aldwych Theatre, London
- 1965 : Carola, by Jean Renoir, director Norman Lloyd, PBS TV, Los Angeles
- 1975 et 1981 : 13, rue de l'amour (Monsieur Chasse), by Georges Feydeau, director Basil Langton, US and Australie
- 1978 : Can-Can, musical by Cole Porter & Abe Burrows, director John Bishop, US and Canadian tour
- 1983 : The rehearsal by Jean Anouilh, director Gillian Lynne, English tour
- 1984 : On your toes by Rogers and Hart, director George Abbott, US tour
- 1985 : One for the Tango (Apprends-moi Céline) by Maria Pacôme, director Pierre Epstein, US tour
- 1985 : L'inaccessible, author and director Krzysztof Zanussi, Théâtre du Petit Odéon of Paris and Spoletto Festival, Italy
- 1991 : Grand hotel, adaptation from the novel of Vicky Baum, director Tommy Tune, Berlin
- 1991 : Le martyre de Saint Sebastien by Claude Debussy and Gabriele d'Annunzio, narration, directed by Michael Tilson Thomas, London Symphony Orchestra
- 1995 : Georges Sand et Chopin, author Bruno Villien, Greenwich Festival, Great Britain
- 1997 : Nocturne for lovers, adaptation Gavin Lambert, director Kado Kostzer, Chichester Festival Theatre, Great Britain
- 1997 : The story of Babar, by Jean de Brunhoff, narration, music from Francis Poulenc, Chichester Festival, Great Britain
- 1998 : Apprends-moi Céline, by Maria Pacôme, director Raymond Acquaviva, French tour
- 1999 : Readings from Colette, director Roger Hodgeman, Melbourne Festival, Australie
- 1999 : Nocturne for lovers, director Roger Hodgeman, Melbourne Festival, Australie
- 2009 : Thank Heaven - 'platform' at the Théâtre National of London
- 2010 : A Little Night Music by Stephen Sondheim, director Lee Blakeley, Théâtre du Châtelet
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Famous quotes containing the word theatre:
“Glorious bouquets and storms of applause ... are the trimmings which every artist naturally enjoys. But to move an audience in such a role, to hear in the applause that unmistakable note which breaks through good theatre manners and comes from the heart, is to feel that you have won through to life itself. Such pleasure does not vanish with the fall of the curtain, but becomes part of one’s own life.”
—Dame Alice Markova (b. 1910)
“The History of the world is not the theatre of happiness. Periods of happiness are blank pages in it, for they are periods of harmony—periods when the antithesis is in abeyance.”
—Georg Wilhelm Friedrich Hegel (1770–1831)
“For the theatre one needs long arms; it is better to have them too long than too short. An artiste with short arms can never, never make a fine gesture.”
—Sarah Bernhardt (1844–1923)