Poetry
A poem is a composition written in verse (although verse has also been used for epic and dramatic fiction). Poems make use of the aesthetic qualities of language to suggest differential meanings and to evoke emotive responses. Poems rely heavily on imagery and metaphor; they may have a rhythmic structure based on patterns of stresses (metric feet) or on patterns of different-length syllables (as in classical prosody); and they may or may not utilize rhyme. Due to the diversity of poetic forms and structures, poetry can be difficult to define and characterize. Typically though, poetry as a form of literature makes use of the formal properties of the words it uses – the properties of the written or spoken form of the words, independent of their meaning. For example, rhythm can be established by the number of syllables in the words or how these syllables are stressed; rhyme and alliteration depend on the sounds of the words.
Arguably, poetry pre-dates other forms of literature. Early examples include the Sumerian Epic of Gilgamesh (dated from around 2700 B.C.), parts of the Bible, the surviving works of Homer (the Iliad and the Odyssey), and the Indian epics Ramayana and Mahabharata. In cultures based primarily on oral traditions the formal characteristics of poetry often have a mnemonic function, and important texts: legal, genealogical or moral, for example, may appear first in verse form.
Some poetry uses specific forms. Examples include the haiku, the limerick, and the sonnet. A traditional haiku written in Japanese relate to nature, contain seventeen onji (syllables), distributed over three lines in groups of five, seven, and five, and should also have a kigo, a specific word indicating a season. A limerick has five lines, with a rhyme scheme of AABBA, and line lengths of 3,3,2,2,3 stressed syllables. It traditionally has a less reverent attitude towards nature. Poetry not adhering to a formal poetic structure is called "free verse".
Language and tradition dictate some poetic norms: Persian poetry always rhymes whilst Greek poetry rarely does. Some languages contain more rhyming words than others. Italian, for example, has a rich rhyming structure permitting use of a limited set of rhymes throughout a lengthy poem. The richness results from word endings that follow regular forms. English, with its irregular word endings adopted from other languages, is less rich in rhyme. Perhaps the most paradigmatic style of English poetry, blank verse, as exemplified in works by Shakespeare and Milton, consists of unrhymed iambic pentameters. Some languages prefer longer lines; some shorter ones. Some of these conventions result from the ease of fitting a specific language's vocabulary and grammar into certain structures, rather than into others; For example, this may occur when a language typically has longer words than other languages. Other structural conventions come about as the result of historical accidents, where many speakers of a language associate good poetry with a verse form preferred by a particular skilled or popular poet.
Works for theatre (see below) traditionally took verse form. This has now become rare outside opera and musicals, although many would argue that the language of drama remains intrinsically poetic.
In recent years, digital poetry has arisen that takes advantage of the artistic, publishing, and synthetic qualities of digital media.
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Famous quotes containing the word poetry:
“A poet’s object is not to tell what actually happened but what could or would happen either probably or inevitably.... For this reason poetry is something more scientific and serious than history, because poetry tends to give general truths while history gives particular facts.”
—Aristotle (384–323 B.C.)
“Like speaks to like only; labor to labor, philosophy to philosophy, criticism to criticism, poetry to poetry. Literature speaks how much still to the past, how little to the future, how much to the East, how little to the West.”
—Henry David Thoreau (1817–1862)
“Poetry is the most direct and simple means of expressing oneself in words: the most primitive nations have poetry, but only quite well developed civilizations can produce good prose. So don’t think of poetry as a perverse and unnatural way of distorting ordinary prose statements: prose is a much less natural way of speaking than poetry is. If you listen to small children, and to the amount of chanting and singsong in their speech, you’ll see what I mean.”
—Northrop Frye (1912–1991)