Family
- Grandfather: Liu Xiong (劉雄)
- Father: Liu Hong (劉弘)
- Uncles:
- Liu Yuanqi (劉元起), Liu Hong's younger brother
- Liu Zijing (劉子敬)
- Spouses:
- Lady Gan, mother of Liu Shan, died before 210, posthumously honored as Empress Zhaolie
- Lady Mi, younger sister of Mi Zhu
- Lady Sun, daughter of Sun Jian, married in 209, separated in 211
- Empress Wu, younger sister of Wu Yi, instated in 221, died in 245
- Children:
- Liu Shan, born to Lady Gan, crown prince, later became second emperor of Shu
- Liu Yong (劉永), initially the Prince of Lu (instated in 221), later Prince of Ganling (instated in 230), moved to Luoyang with Liu Shan
- Liu Li (劉理), initially the Prince of Liang (instated in 221), later Prince Dao of Anping (instated in 230), died in 244
- Two daughters, captured by Cao Chun in the Battle of Changban, married Cao Chun's sons
- Adopted children:
- Liu Feng, originally surnamed "Kou" (寇), forced to commit suicide in 220
- Grandchildren:
- Liu Xuan, oldest son of Liu Shan, died during Zhong Hui's rebellion after the fall of Shu
- Liu Yao (劉瑤), second son of Liu Shan, died during the Yongjia Rebellion
- Liu Cong (劉琮), third son of Liu Shan, died during the Yongjia Rebellion
- Liu Zan (劉瓚), fourth son of Liu Shan, died during the Yongjia Rebellion
- Liu Chen, fifth son of Liu Shan, Prince of Beidi, committed suicide when his father surrendered
- Liu Xun (劉恂), sixth son of Liu Shan, died during the Yongjia Rebellion
- Liu Qu (劉璩), seventh son of Liu Shan, died during the Yongjia Rebellion
- Liu Yin (劉胤), oldest son of Liu Li, Prince Ai, died at the age of 19
- Liu Ji (劉輯), second son of Liu Li, moved to Luoyang with Liu Shan
- Great grandchildren:
- Liu Cheng (劉承), son of Liu Yin, Prince Shang, died at the age of 20
- Liu Xuan (劉玄), grandson of Liu Yong, survived the Yongjia Rebellion, moved to Chengdu
Read more about this topic: Liu Bei
Famous quotes containing the word family:
“With a new familiarity and a flesh-creeping “homeliness” entirely of this unreal, materialistic world, where all “sentiment” is coarsely manufactured and advertised in colossal sickly captions, disguised for the sweet tooth of a monstrous baby called “the Public,” the family as it is, broken up on all hands by the agency of feminist and economic propaganda, reconstitutes itself in the image of the state.”
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