Luigi Pirandello - Marriage

Marriage

After a brief sojourn in Sicily, during which the planned marriage with his cousin was finally called off, he returned to Rome, where he would become friends with a group of writer-journalists including Ugo Fleres, Tomaso Gnoli, Giustino Ferri and Luigi Capuana. It was Capuana who encouraged Pirandello to dedicate himself to narrative writing. In 1893 he wrote his first important work, Marta Ajala, which was published in 1901 with the title l'Esclusa. In 1894 he published his first collection of short stories, Amori senza Amore. 1894 was also the year of his marriage. Following his father's suggestion he married a shy, withdrawn girl of a good family of Agrigentine origin educated by the nuns of San Vincenzo: Antonietta Portulano.

The first years of matrimony brought on in him a new fervour for his studies and writings: his encounters with his friends and the discussions on art continued, more vivacious and stimulating than ever, while his family life, despite the complete incomprehension of his wife with respect to the artistic vocation of her husband, proceeded relatively tranquilly with the birth of two sons (Stefano and Fausto) and a daughter (Lietta). In the meantime, Pirandello intensified his collaborations with newspaper editors and other journalists in magazines such as La Critica and La Tavola Rotonda in which he would publish, in 1895, the first part of the Dialoghi tra Il Gran Me e Il Piccolo Me.

In 1897 he accepted an offer to teach the Italian language at the Istituto Superiore di Magistero di Roma, and in the magazine Marzocco he published several more pages of the Dialoghi. In 1898, with Italo Falbo and Ugo Fleres, he founded the weekly Ariel in which he published the one-act play L'Epilogo (later changed to La Morsa) and some novellas (La Scelta, Se...). The end of the 19th century and the beginnings of the 20th were a period of extreme productivity for Pirandello. In 1900, he published in Marzocco some of the most celebrated of his novellas (Lumie di Sicilia, La Paura del Sonno...) and, in 1901, the collection of poems Zampogna. In 1902 the first series of Beffe della Morte e della Vita came out. The same year saw the publication of his second novel, Il Turno.

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Famous quotes containing the word marriage:

    Why don’t you go home to your wife? I’ll tell you what. I’ll go home to your wife and outside of the improvements, you’ll never know the difference. Pull over to the side of the road there and let me see your marriage license.
    S.J. Perelman, U.S. screenwriter, Bert Kalmar, Harry Ruby, and Norman Z. McLeod. Groucho Marx, Horsefeathers, a wisecrack made to Huxley College’s outgoing president (1932)

    the marriage twists, holds firm, a sailor’s knot.
    Anne Sexton (1928–1974)

    Adultery is the vice of equivocation.
    It is not marriage but a mockery of it, a merging that mixes love and dread together like jackstraws. There is no understanding of contentment in adultery.... You belong to each other in what together you’ve made of a third identity that almost immediately cancels your own. There is a law in art that proves it. Two colors are proven complimentary only when forming that most desolate of all colors—neutral gray.
    Alexander Theroux (b. 1940)