Mandolin - Mandolin Family

Mandolin Family

The mandolin is the soprano member of the mandolin family, as the violin is the soprano member of the violin family. Like the violin, its scale length is typically about 13 inches (330 mm). Modern American mandolins modeled after Gibsons have a longer scale, about 13-7/8" (352 mm).

Other members of the mandolin family are:

• The mandola (US and Canada), termed the tenor mandola in Britain and Ireland and liola or alto mandolin in continental Europe, which is tuned to a fifth below the mandolin, in the same relationship as that of the viola to the violin. Some also call this instrument the "alto mandola." Its scale length is typically about 16.5 inches (420 mm). It is normally tuned like a viola: C-G-D-A.
• The octave mandolin (US and Canada), termed the octave mandola in Britain and Ireland and mandola in continental Europe, which is tuned an octave below the mandolin. Its scale length is typically about 20 inches (500 mm), although instruments with scales as short as 17 inches (430 mm) or as long as 21 inches (530 mm) are not unknown.
• The mandocello, which is classically tuned to an octave plus a fifth below the mandolin, in the same relationship as that of the cello to the violin: C-G-D-A. Today, it is frequently restrung for octave mandolin tuning or the Irish bouzouki's GDAD. Its scale length is typically about 25 inches (635 mm). A typical violoncello scale is 27" (686 mm).
• The Greek laouto is essentially a mandocello, ordinarily tuned D-G-D-A, with half of each pair of the lower two courses being tuned an octave high on a lighter gauge string. The body is a staved bowl, the saddle-less bridge glued to the flat face like most ouds and lutes, with mechanical tuners, steel strings, and tied gut frets. Modern laoutos, as played on Crete, have the entire lower course tuned in octaves as well as being tuned a reentrant octave above the expected D. Its scale length is typically about 28 inches (712 mm).
• The mando-bass has 4 single strings, rather than double courses, and is tuned like a double bass or an acoustic bass guitar. These were made by the Gibson company in the early twentieth century, but appear to have never been very common. Reportedly, most mandolin orchestras preferred to use the ordinary double bass, rather than a specialised mandolin family instrument. Calace and other Italian makers predating Gibson also made mandolin-basses.

• The piccolo or sopranino mandolin is a rare member of the family, tuned one octave above the tenor mandola and one fourth above the mandolin; the same relation as that of the piccolo or sopranino violin to the violin and viola. One model was manufactured by the Lyon & Healy company under the Leland brand. A handful of contemporary luthiers build piccolo mandolins. Its scale length is typically about 9.5 inches (240 mm).
• The Irish bouzouki is also considered a member of the mandolin family; although derived from the Greek bouzouki, it is constructed like a flat backed mandolin and uses fifth-based tunings, most often GDAE (an octave below the mandolin), although sometimes GDAD, ADAD or ADAE are used in place of the guitar-like fourths-and-third tunings of the three- and four-course Greek bouzouki. Although the bouzouki's bass course pairs are most often tuned in unison, on some instruments one of each pair is replaced with a lighter string and tuned in octaves, in the fashion of the 12-string guitar. Although occupying the same range as the octave mandolin/octave mandola, the Irish bouzouki is distinguished from the former instrument by its longer scale length, typically from 22 inches (560 mm) to 24 inches (610 mm), although scales as long as 26 inches (660 mm), which is the usual Greek bouzouki scale, are not unknown.
• The modern cittern is also an extension of the mandolin family, being typically a five course (ten string) instrument having a scale length between 20 inches (500 mm) and 22 inches (560 mm). It is most often tuned to either DGDAD or GDADA, and is essentially an octave mandola with a fifth course at either the top or the bottom of its range. Some luthiers, such as Stefan Sobell also refer to the octave mandola or a shorter-scaled Irish bouzouki as a cittern, irrespective of whether it has four or five courses.
• In Indian classical music and Indian light music, the mandolin, which bears little resemblance to the European mandolin, is usually tuned E-B-E-B. As there is no concept of absolute pitch in Indian classical music, any convenient tuning maintaining these relative pitch intervals between the strings can be used. Another prevalent tuning with these intervals is C-G-C-G, which corresponds to Sa-Pa-Sa-Pa in the Indian carnatic classical music style. This tuning corresponds to the way violins are tuned for carnatic classical music.