Mansion - Nineteenth Century Development

Nineteenth Century Development

The 19th century saw particularly in the United States a new type of mansion being built, often smaller than the older European mansions. The Breakers in Rhode Island is a fine example, as is the nearby, but completely different, Watts Sherman House.

Fifth Avenue, New York, at this time was lined with numerous mansions, designed by the leading architects of the day, many in European gothic styles, built by the many families who were making their fortunes, and thus achieving their social aspirations, in the mid-19th century. However, nearly all of these have now been demolished, thus depriving New York of a boulevard to rival, in the architectural sense, any in Paris, London or Rome—where the many large mansions and palazzi built or remodeled during this era still survive. Mansions built in the countryside were not spared either. One of the most spectacular estates of the U.S., Whitemarsh Hall, was demolished in 1980, along with its extensive gardens, to make way for suburban developments.

Grand Federal Style mansions designed by Samuel McIntire inhabit an area that, in 2012, is the largest collection of 17th & 18th century structures in the United States of America. This district in Salem, Massachusetts is called the McIntire Historic District with the center being Chestnut Street.

Little is known about McIntire's personal life. He was born in Salem in 1757 and grew up in a family of housewrights. Samuel married Sally Fields in 1778, and the couple had one son. He built a simple home and workshop on Summer Street in 1786. His favorite hobby was playing and teaching music.

McIntire's training came from his father and from books. He and his brothers, Joseph and Angler, began their careers as housewrights and carpenters while in their teens but, early on, Samuel's work caught the eye of Salem's pre-eminent merchant, Elias Hasket Derby. Over the next quarter century, McIntire built or remodeled a number of homes for Derby and members of his extended family. McIntire also worked occasionally on Derby's vessels, and wasn't averse to fixing a wagon or building a birdhouse if his patron so desired.. Hamilton Hall is a National Historic Landmark at 9 Chestnut Street in Salem, Massachusetts. Hamilton Hall was built in 1805 by Samuel McIntire and added to the National Register of Historic Places in 1970.

"King" Derby's stamp of approval opened many other doors for McIntire, who went on to design and build mansions for John Gardner, Jerethmiel Peirce, Simon Forrester, and other wealthy Salem shipowners. He also built, on elegant Chestnut Street, a function hall (named for Alexander Hamilton) and church for the town's merchant class. McIntire also designed the former Salem Court House and Registry of Deeds.

After 1793, Samuel McIntire worked exclusively in the architectural style developed by Robert Adam in Great Britain and brought to America by the great Boston architect, Charles Bulfinch. The delicate Adamesque style, which emphasized decorative elements and ornamentation, was tailor made for McIntire whose unerring sense of design and proportion was exceeded only by his skill as a woodcarver. Carved swags, rosettes, garlands, and his signature sheaths of wheat dominate wood surfaces in McIntire homes built between 1793 and his death in 1811.

Even in Europe some 19th-century mansions were often built as replicas of older houses, the Château de Ferrières in France was inspired by Mentmore Towers which in turn is a copy of Wollaton Hall. Other mansions were built in the new and innovative styles of the new era such as the arts and crafts style: The Breakers is a pastiche of an Italian Renaissance Palazzo; Waddesdon Manor in Buckinghamshire is a faithful mixture of various French châteaux. One of the most enduring and most frequently copied styles for a mansion is the palladian - particularly so in the 18th century. However, the gothic style was probably the most popular choice of design in the 19th century. The most bizarre example of this was probably Fonthill Abbey which actually set out to imitate the mansions which had truly evolved from medieval gothic abbeys following the Dissolution of the Monasteries in the 16th century.

Mansions built during and after the 19th century seldom were supported by the large estates of their predecessors. These new mansions were often built as the week-end retreats of businessmen who commuted to their offices by the new railways, which enabled them to leave the city more easily. Before this era most owners of mansions were the old aristocracy.