Models
The official busts of Marianne initially had anonymous features, appearing as women of the people. From 1969, however, they began to take on the features of famous women, starting with the actress Brigitte Bardot. She was followed by Mireille Mathieu (1978), Catherine Deneuve (1985), Inès de la Fressange (1989), Laetitia Casta (2000) and Évelyne Thomas (2003).
Laetitia Casta was named the symbolic representation of France's Republic in a vote, for the first time open to the country's more than 36,000 mayors, in October 1999. She won from a shortlist of five candidates, scoring 36% among the 15,000 voting mayors. The other candidates were Estelle Hallyday, Patricia Kaas, Daniela Lumbroso, Lætitia Milot and Nathalie Simon. Shortly thereafter a mini-scandal shook France, after it was publicised that Casta—the new icon of the Republic—had relocated to London. Although she claimed that her move was motivated by practical professional reasons, the magazine Le Point, among others, suggested that she was trying to escape taxes.
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Famous quotes containing the word models:
“The parents who wish to lead a quiet life I would say: Tell your children that they are very naughty—much naughtier than most children; point to the young people of some acquaintances as models of perfection, and impress your own children with a deep sense of their own inferiority. You carry so many more guns than they do that they cannot fight you. This is called moral influence and it will enable you to bounce them as much as you please.”
—Samuel Butler (1835–1902)
“Friends broaden our horizons. They serve as new models with whom we can identify. They allow us to be ourselves—and accept us that way. They enhance our self-esteem because they think we’re okay, because we matter to them. And because they matter to us—for various reasons, at various levels of intensity—they enrich the quality of our emotional life.”
—Judith Viorst (20th century)
“French rhetorical models are too narrow for the English tradition. Most pernicious of French imports is the notion that there is no person behind a text. Is there anything more affected, aggressive, and relentlessly concrete than a Parisan intellectual behind his/her turgid text? The Parisian is a provincial when he pretends to speak for the universe.”
—Camille Paglia (b. 1947)