Life and Work
She was born and raised in Bronx, New York, the only child of Jewish immigrant parents. Her father was a management consultant and her mother a teacher. Hacker attended the Bronx High School of Science, where she met her future husband Samuel R. Delany, who became a well-known science-fiction writer. She enrolled at New York University at the age of fifteen (B.A., 1964). To marry, Hacker and Delany traveled from New York to Detroit, Michigan. Delany explained in his autobiography The Motion of Light in Water the reason that they married in Detroit was because of their ages and because he was African-American and she was Caucasian, and "there were only two states in the union where we could legally wed. The closest one was Michigan." They settled in New York's East Village. Their daughter, Iva Hacker-Delany, was born in 1974. Hacker and Delany, after being separated for many years, were divorced in 1980, but remain friends. Hacker identifies as lesbian, and Delany has identified as a gay man since adolescence.
In the '60s and '70s, Hacker worked mostly in commercial editing. She returned to NYU, edited the university literary magazine, publishing poems by Charles Simic and Grace Schulman, and an early screenplay by Martin Scorsesse. She graduated with a bachelor of arts degree in Romance languages.
Hacker's first publication was in Cornell University's Epoch. After moving to London in 1970, she found an audience through the pages of The London Magazine and Ambit. She and her husband edited the magazine Quark: A Quarterly of Speculative Fiction (4 issues; 1970-71). She also performed in a series of U.S. State Department-sponsored readings at British universities with the influential rock band Eggs Over Easy. Early recognition came for her when Richard Howard, then editor of The New American Review, accepted three of Hacker's poems for publication.
In 1974, when she was thirty-one, Presentation Piece was published by The Viking Press. The book was a Lamont Poetry Selection of the Academy of American Poets and won the annual National Book Award for Poetry. Winter Numbers, which details the loss of many of her friends to AIDS and her own struggle with breast cancer, garnered a Lambda Literary Award and The Nation's Lenore Marshall Poetry Prize. Her Selected Poems 1965-1990 received the 1996 Poets' Prize. She received an Award in Literature from the American Academy of Arts and Letters in 2004. Among her eleven books of poems, the most recent is Desesperanto, published by W. W. Norton in 2003.
Hacker often employs strict poetic forms in her poetry: for example, in Love, Death, and the Changing of the Seasons, which is a verse novel in sonnets. She is also recognized as a master of "French forms," particularly the villanelle.
From 1990 to 1994 she was the editor of the Kenyon Review, the first full-time editor of the publication, where she was noted for "broadening the quarterly's scope to include more minority and marginalized viewpoints."
Hacker lives in New York and Paris with her partner of ten years, physician assistant Karyn London, and teaches at the City College of New York and the CUNY Graduate Center.
Hacker is mentioned in Heavenly Breakfast, Delany's memoir of a New York City commune during the so-called Summer of Love in 1967, as well as in Delany's autobiography, The Motion of Light in Water.
Hacker's daughter with Delany, Iva Hacker-Delany, was a theatre director in New York City for a decade before becoming a physician.
Hacker was a judge for the 2012 Hippocrates Prize for Poetry and Medicine.
Read more about this topic: Marilyn Hacker
Famous quotes containing the words life and, life and/or work:
“O hiding hair and dewy eyes,
I am no more with life and death,
My heart upon his warm heart lies,
My breath is mixed into his breath.”
—William Butler Yeats (18651939)
“Quintilian [educational writer in Rome around A.D. 100] thought that the earliest years of the childs life were crucial. Education should start earlier than age seven, within the family. It should not be so hard as to give the child an aversion to learning. Rather, these early lessons would take the form of playthat embryonic notion of kindergarten.”
—C. John Sommerville (20th century)
“If work is part of your identity, think very carefully before you give it up. Giving it up wont make you a better mother; it will make you less of the person you are; and that will make you less of a mother.”
—Jean Marzollo (20th century)