Medal - Features

Features

The main or front surface is termed the obverse, and may contain a portrait, pictorial scene or other image along with an inscription. The reverse, or back surface of the medal, is not always used and may be left blank or may contain a secondary design. It is not uncommon to find only an artistic rendering on the obverse, while all details and other information for the medal are inscribed on the reverse. The rim is found only occasionally employed to display an inscription such as a motto, privy mark, engraver symbol, assayer’s marking or a series number.

Medals that are intended to be hung from a ribbon also include a small suspension piece at the crest with which to loop a suspension ring through. It is through the ring that a ribbon is run or folded so the medal may hang pendent. Medals pinned to the breast use only a small cut of ribbon that is attached to a top bar where the brooch pin is affixed. Top bars may be hidden under the ribbon so they are not visible, be a plain device from which the ribbon attaches or even decorative to complement the design on the medal; some top bars are elaborate and contain a whole design unto themselves.

Bronze has been the most common material employed for medals, due to its fair price range, durability, ease with which to work when casting and the ample availability, but a wide range of other media have also been used. Rarer metals have been employed, such as silver, platinum and gold, when wishing to add value beyond the mere artistic depiction, as well as base metals and alloys such as copper, brass, iron, aluminum, lead, zinc, nickel and pewter. Medals that are made with inexpensive material might be gilded, silver plated, chased or finished in a variety of other ways to improve their appearance. Medals have also been made of rock, gemstone, ivory, glass, porcelain, terra cotta, coal, wood, paper, enamel, lacquerware, and plastics.

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Famous quotes containing the word features:

    Art is the child of Nature; yes,
    Her darling child, in whom we trace
    The features of the mother’s face,
    Her aspect and her attitude.
    Henry Wadsworth Longfellow (1807–1882)

    The features of our face are hardly more than gestures which force of habit made permanent. Nature, like the destruction of Pompeii, like the metamorphosis of a nymph into a tree, has arrested us in an accustomed movement.
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    These, then, will be some of the features of democracy ... it will be, in all likelihood, an agreeable, lawless, particolored commonwealth, dealing with all alike on a footing of equality, whether they be really equal or not.
    Plato (c. 427–347 B.C.)