Use of "meet Cute" Situations
is conveniently importuned by this attractive young fellow she happens to run into—to "meet cute," as they say—on a Fifth Avenue bus.
Bosley Crowther, in his February 1964 review of Sunday in New YorkThe term was standard among screenwriters - Billy Wilder uses it in his Paris Review interview in relation to his 1938 film Bluebeard's Eighth Wife, for instance. Film critics such as Roger Ebert or the Associated Press' Christy Lemire popularized the term in their reviews. In Ebert's commentary for the DVD of Beyond the Valley of the Dolls, which he co-wrote, he describes the scene where law student Emerson Thorne bumps into the female character Petronella Danforth. Ebert admits that he, as the screenwriter, wrote into the script a "classic Hollywood meet cute." He explains the meet cute as a scene "in which somebody runs into somebody else, and then something falls, and the two people began to talk, and their eyes meet and they realize that they are attracted to one another."
In the 2006 romantic American comedy The Holiday, one of the characters, Arthur, who has been a script writer during the Golden Age of Hollywood, describes what a meet-cute is with an example: "It's how two characters meet in a movie. Say a man and a woman both need something to sleep in, and they both go to the same mens pajama department. And the man says to the salesman: 'I just need bottoms'. The woman says: 'I just need a top'. They look at each other, and that's the meet-cute".
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Famous quotes containing the words meet, cute and/or situations:
“If in the opinion of the Tsars authors were to be the servants of the state, in the opinion of the radical critics writers were to be the servants of the masses. The two lines of thought were bound to meet and join forces when at last, in our times, a new kind of regime the synthesis of a Hegelian triad, combined the idea of the masses with the idea of the state.”
—Vladimir Nabokov (1899–1977)
“When our kids are young, many of us rush out to buy a cute little baby book to record the meaningful events of our young child’s life...But I’ve often thought there should be a second book, one with room to record the moral milestones of our child’s lives. There might be space to record dates she first shared or showed compassion or befriended a new student or thought of sending Grandma a get-well card or told the truth despite its cost.”
—Fred G. Gosman (20th century)
“When the characters are really alive before their author, the latter does nothing but follow them in their action, in their words, in the situations which they suggest to him.”
—Luigi Pirandello (1867–1936)