Musical Theatre
Legrand composed the score for the musical Amour, which premiered in 2002 on Broadway and was translated into English by Jeremy Sams and was directed by James Lapine. This musical was his Broadway debut, and while it ran for only 17 performances and 31 previews, it garnered a loyal fan base due to its much-praised cast album on Ghostlight Records, and subsequent multiple Tony Award nominations (2003), including Best Score for Michel Legrand and Best Actress for its leading actress Melissa Errico.
Legrand continued his collaboration with Errico to the present day, appearing at such jazz venues as Dizzy's at Lincoln Center. Though he has rarely done this for any solo artist, Michel Legrand arranged, conducted and accompanied Errico with a 100-piece symphony on her CD "Legrand Affair" (released in October 2011 on Ghostlight Records) featuring his songs, hidden French gems, as well as one new song with lyrics by Alan and Marilyn Bergman. The CD was produced by Phil Ramoneand is featured in Ramone's biography "Making Records."
The world premiere of the new musical Marguerite from Alain Boublil and Claude-Michel Schönberg, the creators of Les Misérables and Miss Saigon, included music by Michel Legrand and lyrics by Herbert Kretzmer. Marguerite is set during World War II in occupied Paris, and was inspired by the romantic novel La Dame aux camélias by Alexandre Dumas, fils. It premiered in May 2008 at the Haymarket Theatre, London and was directed by Jonathan Kent.
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Famous quotes containing the words musical and/or theatre:
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“Glorious bouquets and storms of applause ... are the trimmings which every artist naturally enjoys. But to move an audience in such a role, to hear in the applause that unmistakable note which breaks through good theatre manners and comes from the heart, is to feel that you have won through to life itself. Such pleasure does not vanish with the fall of the curtain, but becomes part of one’s own life.”
—Dame Alice Markova (b. 1910)