Plot
The plot of the novel has two distinct movements: the events at Microsoft and in Redmond, Washington, and the movement to Silicon Valley and the "Oop!" project.
The novel begins in Redmond as the characters are working on different projects at Microsoft's main campus. Life at the campus feels like a feudalistic society, with Bill Gates as the lord, and the employees the serfs. The majority of the main characters—Daniel (the narrator), Susan, Todd, Bug, Michael, and Abe—are living together in a "geek house", and their lives are dedicated to their projects and the company. Daniel's foundations are shaken when his father, a longtime employee of IBM, is laid off. The lifespan of a Microsoft coder weighs heavily on Daniel's mind.
The second movement of the novel begins when the characters are offered jobs in Silicon Valley working on a project for Michael, who has by then left Redmond. All of the housemates—some immediately, some after thought—decide to move to the Valley.
The characters' lives change drastically once they leave the limited sphere of the Microsoft campus and enter the world of "One-Point-Oh". They begin to work on a project called "Oop!" (a reference to object-oriented programming). Oop! is a Lego-like design program, allowing dynamic creation of many objects, bearing a resemblance to 2009's Minecraft. (Coupland appears on the rear cover of the novel's hardcover versions photographed in Denmark's Legoland Billund, holding a Lego 747.)
One of the undercurrents of the plot is Daniel and his family's relationship to Jed, Daniel's younger brother who died in a boating accident while they were children.
Read more about this topic: Microserfs
Famous quotes containing the word plot:
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
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—Franz Grillparzer (1791–1872)
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)