Selected Theater Appearances
- Hunted Down by Dion Boucicault, New York (1871)
- Fogg's Ferry by Charles Callahan, Wisconsin (1882)
- Juanita by Charles Callahan, Illinois (1883)
- Caprice by Howard P. Taylor, Missouri (1884)
- In Spite of it All by Victorien Sardou, New York (1885)
- Hester Crewe by Harrison Grey Fiske, New York (1893)
- A Doll's House by Henrik Ibsen, New York (1894)
- This Picture and That! by Brander Matthews, Texas (1896)
- Cesarine by Alexandre Dumas, fils, Pennsylvania (1896)
- Marie Deloche (orig. The Queen of Liars, 1895) by Harrison Grey Fiske, New York (1896)
- A Doll's House, New York (1896)
- A Light From St. Agnes by Minnie Maddern Fiske, New York (1896)
- Cesarine, Illinois (1896)
- Divorcons by Victorien Sardou, Illinois (1896)
- The Right to Happiness by Marguerite Merington, Louisiana (1896)
- Tess of D'Urbervilles by Lorimer Stoddard, New York (1897)
- Little Italy one act by Horace B. Fry with Divorcons, Illinois (1898)
- Magda by Hermann Sudermann, New York (1898)
- A Bit of Old Chelsea by Mrs. Oscar Beringer, New York (1898)
- Love Finds the Way by Marguerite Merrington, New York (1898)
- Becky Sharp by Langdon Mitchell, New York (1899)
- Frou Frou by Henri Meilhac and Ludovic Halevy, New York (1899)
- Miranda of the Balcony by Anne Crawford Flexner, New York (1901)
- The Unwelcome Mrs. Hatch by Mrs. Burton Harrison, New York (1901)
- A Bit of Old Chelesa, New York (1902)
- Tess of D' Urbervilles, New York (1902)
- A Doll's House by Henrik Ibsen, New York (1902)
- Little Italy and Divorcons, New York (1902)
- Mary of Magdala by Paul Heyse, New York (1902)
- Hedda Gabler by Henrik Ibsen, New York (1903)
- Becky Sharp, New York (1904)
- Hedda Gabler, New York (1904)
- Leah Kleschna by C. M. S. McLellan, New York (1904)
- Three One Act Plays by Minnie Maddern Fiske: The Rose, A Light From St. Agnes, The Eyes of the Heart (1905)
- The New York Idea by Langdon Mitchell, New York (1906)
- Tess of the D'Urbervilles, Louisiana (1907)
- Leah Kleschna, Louisiana (1907)
- Rosmersholm by Henrik Ibsen, New York (1907)
- Salvation Nell by Edward Sheldon, New York (1908)
- The Pillars of Society by Henrik Ibsen, New York (1910)
- The Green Cockatoo by Arthur Schnitzler, New York (1910)
- Hannele by Gerhart Hauptmann, New York (1910)
- Becky Sharp, New York (1911)
- Mrs. Bumpstead-Leigh by Harry James Smith, New York (1911)
- The New Marriage by Langdon Mitchell, New York (1911)
- Julia France by Gertrude Atherton, Toronto, Canada (1912)
- Lady Patricia by Rudolf Frohman, New York (1912)
- The High Road by Edward Sheldon, Montreal, Canada (1912)
- The High Road, Massachusetts (1913)
- Mrs Bumpstead-Leigh, New Jersey (1914)
- Lady Betty Martingale by John Luther Long and Frank Stayon (1914)
- Erstwhile Susan by Marian de Forest, Massachusetts (1916)
- Madame Sand by Philip Moeller, New York (1917)
- Service by Henri Lavedan, translated by William C. Taylor, New York (1918)
- Out There by J. Hartley Manners, allstar play toured America to raise funds for The Red Cross (1918)
- Mis' Nelly of N' Orleans by Lawrence Eyre, New York (1919)
- Wake Up, Jonathan! by Hatcher Hughes and Elmer Rice, New York (1921)
- The Dice of the Gods by Lillian Barrett, Illinois (1923)
- Mary, Mary Quite Contrary by St. John Ervine, New York (1923)
- Helena's Boys by Ida Lublenski Erlich, New York (1923)
- The Rivals by Richard Brinsley Sheridan, Massachusetts (1925)
- Ghosts by Henrik Ibsen, New York (1927)
- The Merry Wives of Windsor by William Shakespeare, New York (1928)
- Much Ado About Nothing by William Shakespeare, Pennsylvania (1928)
- Mrs. Bumpstead-Leigh, New York (1929)
- Ladies of the Jury by Fred Ballard, New York (1929)
- It's a Grand Life by Hatcher Hughes and Alan Williams, New York (1930)
- The Rivals, New York (1930)
- Ladies of the Jury, Illinois (1931)
- Mrs. Bumpstead-Leigh, California (1932)
- Against the Wind by Carlos Drake, Illinois (1933)
Read more about this topic: Minnie Maddern Fiske
Famous quotes containing the words selected, theater and/or appearances:
“The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.”
—Walter Bagehot (18261877)
“It is not enough to demand insight and informative images of reality from the theater. Our theater must stimulate a desire for understanding, a delight in changing reality. Our audience must experience not only the ways to free Prometheus, but be schooled in the very desire to free him. Theater must teach all the pleasures and joys of discovery, all the feelings of triumph associated with liberation.”
—Bertolt Brecht (18981956)
“It is doubtless wise, when a reform is introduced, to try to persuade the British public that it is not a reform at all; but appearances must be kept up to some extent at least.”
—George Bernard Shaw (18561950)