Culture
Main article: Culture of MontenegroThe culture of Montenegro has been shaped by a variety of influences throughout history. The influence of Orthodox, Slavonic, Central European, Islamic, and seafaring Adriatic cultures (notably parts of Italy, like the Republic of Venice) have been the most important in recent centuries.
Montenegro has many significant cultural and historical sites, including heritage sites from the pre-Romanesque, Gothic and Baroque periods. The Montenegrin coastal region is especially well known for its religious monuments, including the Cathedral of Saint Tryphon in Kotor (Cattaro under the Venetians), the basilica of St. Luke (over 800 years), Our Lady of the Rocks (Ċ krpjela), the Savina Monastery and others. Montenegro's medieval monasteries contain thousands of square metres of frescos on their walls.
The traditional folk dance of the Montenegrins is the Oro, a circle dance that involves dancers standing on each other's shoulders in a circle while one or two dancers are dancing in the middle.
The first literary works written in the region are ten centuries old, and the first Montenegrin book was printed five hundred years ago. The first state-owned printing press was located in Cetinje in 1494, where the first South Slavic book, Oktoih, was printed the same year. Ancient manuscripts, dating from the thirteenth century, are kept in the Montenegrin monasteries.
Montenegro's capital Podgorica and the former royal capital of Cetinje are the two most important centres of culture and the arts in the country.
Read more about this topic: Montenegro
Famous quotes containing the word culture:
“I am writing to resist the view that Europe and civilization are going to Hell. If I am being “crucified for an idea”Mthat is, the coherent idea around which my muddles accumulated—it is probably the idea that European culture ought to survive, that the best qualities of it ought to survive along with whatever cultures, in whatever universality. Against the propaganda of terror and the propaganda of luxury, have you a nice simple answer?”
—Ezra Pound (1885–1972)
“Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.”
—C. John Sommerville (20th century)
“One of the oddest features of western Christianized culture is its ready acceptance of the myth of the stable family and the happy marriage. We have been taught to accept the myth not as an heroic ideal, something good, brave, and nearly impossible to fulfil, but as the very fibre of normal life. Given most families and most marriages, the belief seems admirable but foolhardy.”
—Jonathan Raban (b. 1942)