Calypso
Prior to the 1930s, Barbadian calypso was called banja, and was performed by laborers in village-tenantry areas. Itinerant minstrels like Mighty Jerry, Shilling Agard and Slammer were well-known forerunners of modern Barbadian calypso. Their song tradition embraced sentimentality, humor, and opinionated lyrics that continued to the 1960s, often by then accompanied by guitar or banjo.
The mid-20th century brought new forms of music from Trinidad, Brazil, the United States, Cuba and the Dominican Republic to Barbados, and the Barbadian calypso style came to be viewed as lowbrow or inferior. Promoters like Lord Silvers and Mighty Dragon, however, kept the popular tradition alive through shows at the Globe Theatre, featuring pioneers Mighty Romeo, Sir Don Marshall, Lord Radio and the Bimshire Boys and Mike Wilkinson. These performers set the stage for the development of popular Barbadian calypso in the 1960s.
In the early 1960s, Barbadian calypso grew in popularity and stature, led by Viper, Mighty Gabby and The Merrymen. The first calypso competitions were held in 1960, and they quickly grew larger and more prominent. The Merrymen became the island's most prominent contribution to calypso by the 1970s and into the 80s. Their style, known as blue beat, incorporated Barbadian folk songs and ballads, as well as American blues, country music, and a distinctive sound created by harmonica, guitar and banjo.
By the beginning of the 1980s, kaiso, a form of stage-presented calypso pioneered in Trinidad, was widespread at crop over and other celebrations. The foundation of the National Cultural Foundation in 1984 helped to promote and administer calypso festivals, which attracted tourists, stimulating the calypso industry. As a result, calypso has become a very visible and iconic part of Barbadian culture, and some calypsonians have become internationally renowned, including Mighty Gabby and Red Plastic Bag.
Read more about this topic: Music Of Barbados