Nicaraguans - Culture and Traditions

Culture and Traditions

Nicaraguan culture has strong folklore, music and religious traditions, deeply influenced by European culture but enriched with Amerindian sounds and flavors. Nicaraguan culture can further be defined in several distinct strands. The Pacific coast has strong folklore, music and religious traditions, deeply influenced by Iberian. It was colonized by Spain and has a similar culture to other Spanish-speaking Latin American countries. The Caribbean coast of the country, on the other hand, was once a British protectorate. English is still predominant in this region and spoken domestically along with Spanish and indigenous languages. Its culture is similar to that of Caribbean nations that were or are British possessions, such as Jamaica, Belize, The Cayman Islands, etc. The indigenous groups that were present in the Pacific coast have largely been assimilated into the mestizo culture, however, the indigenous people of the Caribbean coast have maintained a distinct identity.

Nicaraguan music is a mixture of indigenous and European, especially Spanish, influences. Musical instruments include the marimba and others common across Central America. The marimba of Nicaragua is uniquely played by a sitting performer holding the instrument on his knees. He is usually accompanied by a bass fiddle, guitar and guitarrilla (a small guitar like a mandolin). This music is played at social functions as a sort of background music. The marimba is made with hardwood plates, placed over bamboo or metal tubes of varying lengths. It is played with two or four hammers. The Caribbean coast of Nicaragua is known for a lively, sensual form of dance music called Palo de Mayo which is very much alive all throughout the country. It is especially loud and celebrated during the Palo de Mayo festival in May. The Garifuna community exists in Nicaragua and is known for its popular music called Punta.

Literature of Nicaragua can be traced to pre-Columbian times with the myths and oral literature that formed the cosmogonic view of the world that indigenous people had. Some of these stories are still know in Nicaragua. Like many Latin American countries, the Spanish conquerors have had the most effect on both the culture and the literature. Nicaraguan literature has historically been an important source of poetry in the Spanish-speaking world, with internationally renowned contributors such as Rubén Darío who is regarded as the most important literary figure in Nicaragua, referred to as the "Father of Modernism" for leading the modernismo literary movement at the end of the 19th century. Other literary figures include Ernesto Cardenal, Gioconda Belli, Claribel Alegría and José Coronel Urtecho, among others.

El Güegüense is a satirical drama and was the first literary work of pre-Columbian Nicaragua. It is regarded as one of Latin America's most distinctive colonial-era expressions and as Nicaragua's signature folkloric masterpiece combining music, dance and theater. The theatrical play was written by an anonymous author in the 16th century, making it one of the oldest indigenous theatrical/dance works of the Western Hemisphere. The story was published in a book in 1942 after many centuries.