Actors
There are about 1500 professional Noh actors in Japan today, and the art form continues to thrive. Actors begin their training as young children, traditionally at the age of three. Historically, the performers were exclusively male. In the modern day, a few women (many daughters of established Noh actors) have begun to perform professionally. Zeami isolated nine levels or types of Noh acting from lower degrees which put emphasis on movement and violence to higher degrees which represent the opening of a flower and spiritual prowess. Many people also study Noh on an amateur basis. While the field of Noh performance is extremely codified with an emphasis on tradition rather than innovation, some performers do compose new plays or revive historical ones that are not a part of the standard repertoire. Works blending Noh with other theatrical traditions have also been produced.
The five extant schools of Noh acting called Shitekata (シテ方) are the Kanze (観世), Hōshō (宝生), Komparu (金春), Kongō (金剛), and Kita (喜多) schools. Each school can have different leading families, where the iemoto family, carrying the same name of the school, is considered as the most important. The iemoto holds the power to create new plays or modify lyrics and performance modes.
The society of Noh (Nōgaku Kyōkai), to which all professionals are registered, strictly protects the traditions passed down from their ancestors (see iemoto). However, several secret documents of the Kanze school written by Zeami, as well as materials by Komparu Zenchiku, have been diffused throughout the community of scholars of Japanese theater.
Actors normally follow a strict progression through the course of their lives from roles considered the most basic to those considered the most complex or difficult; the role of Yoshitsune in Funa Benkei is one of the most prominent roles a child actor performs in Noh. Other 'graduation pieces' include Shakkyō, Dōjōji and Hachi no Ki. In his maturity, an actor will be confronted with pieces where the main character is an elderly person, especially the 'Komachi' pieces, portraying the famous Heian period poetess Ono no Komachi, such as Kayoi Komachi or Sekidera Komachi.
Besides professional acting, Noh is practiced by thousands of amateurs who train in chant and dance and often producing recitals.
Read more about this topic: Noh
Famous quotes containing the word actors:
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1859–1924)
“Today the young actors regard their environment with rage and disgust. They regard their Master not as disciples regard their Master, but as slaves regard their Master.”
—Judith Malina (b. 1926)
“The motives to actions and the inward turns of mind seem in our opinion more necessary to be known than the actions themselves; and much rather would we choose that our reader should clearly understand what our principal actors think than what they do.”
—Sarah Fielding (1710–1768)