Northrop Grumman B-2 Spirit - Aircraft On Display

Aircraft On Display

No operational B-2s have been retired by the Air Force to be put on display. However, B-2s have made periodic appearances on ground display at various air shows.

B-2 test article (s/n AT-1000), the second of two built without engines or instruments for static testing, was placed on display in 2004 at the National Museum of the United States Air Force near Dayton, Ohio. The test article passed all structural testing requirements before the airframe failed. The Museum's restoration team spent over a year reassembling the fractured airframe. The display airframe is marked to resemble The Spirit of Ohio (S/N 82-1070), the B-2 used to test the design's ability to withstand extreme heat and cold. The exhibit features the actual Spirit of Ohio nose wheel door, with its distinctive Fire and Ice artwork, which was painted and signed by the technicians who performed the temperature testing. The restored test aircraft is on display in the museum's "Cold War Gallery".

From 1989 to 2004, the South Dakota Air and Space Museum located on the grounds of Ellsworth Air Force Base displayed the 10-short-ton (9-metric-ton) "Honda- Stealth", a 60% scale mock-up of a stealthy bomber which had been built by North American Honda in 1988 for an advertising campaign. Although not an actual replica of a B-2, the mock-up was close enough to the B-2's design to arouse suspicion that Honda had intercepted classified, top secret information, as the B-2 project was still officially classified in 1988. Honda donated the model to the museum in 1989, on condition that the model be destroyed if it was ever replaced with a different example. In 2005, when the museum received a B-1 Lancer for display (Ellsworth being a B-1 base), the museum destroyed the mock-up.

Read more about this topic:  Northrop Grumman B-2 Spirit

Famous quotes containing the word display:

    We rarely quote nowadays to appeal to authority ... though we quote sometimes to display our sapience and erudition. Some authors we quote against. Some we quote not at all, offering them our scrupulous avoidance, and so make them part of our “white mythology.” Other authors we constantly invoke, chanting their names in cerebral rituals of propitiation or ancestor worship.
    Ihab Hassan (b. 1925)