Culture
Main article: Culture in Omaha Main article: Culture in North Omaha, NebraskaThe city's historical and cultural attractions have been lauded by numerous national newspapers, including the Boston Globe and The New York Times. Omaha is home to the Omaha Community Playhouse, the largest community theater in the United States. The Omaha Symphony Orchestra and its modern Holland Performing Arts Center, the Opera Omaha at the Orpheum theater, the Blue Barn Theatre, and The Rose Theater form the backbone of Omaha's performing arts community. Opened in 1931, the Joslyn Art Museum has significant art collections. Since its inception in 1976, Omaha Children's Museum has been a place where children can challenge themselves, discover how the world works and learn through play. The Bemis Center for Contemporary Arts, one of the nation's premier urban artist colonies, was founded in Omaha in 1981, and the Durham Museum is accredited with the Smithsonian Institution for traveling exhibits. The city is also home to the largest singly funded mural in the nation, "Fertile Ground", by Meg Saligman. The annual Omaha Blues, Jazz, & Gospel Festival celebrates local music along with the Omaha Black Music Hall of Fame.
In 1955 Omaha's Union Stockyards overtook Chicago's stockyards as the United States' meat packing center. This legacy is reflected in the cuisine of Omaha, with renowned steakhouses such as Gorat's and the recently closed Mister C's, as well as the retail chain Omaha Steaks.
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Famous quotes containing the word culture:
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)
“Our culture has become something that is completely and utterly in love with its parent. It’s become a notion of boredom that is bought and sold, where nothing will happen except that people will become more and more terrified of tomorrow, because the new continues to look old, and the old will always look cute.”
—Malcolm McLaren (b. 1946)
“The anorexic prefigures this culture in rather a poetic fashion by trying to keep it at bay. He refuses lack. He says: I lack nothing, therefore I shall not eat. With the overweight person, it is the opposite: he refuses fullness, repletion. He says, I lack everything, so I will eat anything at all. The anorexic staves off lack by emptiness, the overweight person staves off fullness by excess. Both are homeopathic final solutions, solutions by extermination.”
—Jean Baudrillard (b. 1929)