Otto Weininger - Physiognomy

Physiognomy

Weininger's friend Artur Gerber gave a description of Weiniger's physiognomy in "ECCE HOMO", preface to Taschenbuch und Briefe an einen Freund (E. P. Tal & Co., Leipzig/Vienna 1922):

Nobody who had once seen his face could ever forget it. The big dome of his forehead marked it. The face was peculiar looking because of the large eyes; the look in them seemed to surround everything. In spite of his youth, his face was not handsome, it was rather ugly. Never did I see him laugh or smile. His face was always dignified and serious. Only when he was outdoors in spring did it seem to relax, and then become cheerful and bright. At many concerts he would shine with happiness. In the most wonderful moments we spent together, particularly when he talked about an idea in which he was interested, his eyes were filled with happiness. Otherwise his face was impenetrable. One could never—except to the last few months—find in his face any hint of what was happening deep within his soul. The taut muscles would often move, and sharp wrinkles would appear on his face, as if they were caused by intolerable pain. I asked for the reason, he controlled himself at once, gave a vague or evasive answer, or talked about other matters, making further questioning impossible.

His manners would occasionally elicit surprise, and often a smile, since he cared little for traditions and prejudices.

The influence of his personality seemed strongest at night. His body seemed to grow; there was something ghostlike in his movements and there would be something demoniac in his manner. An when, as happened at times, his conversation became passionate, when he made a movement in the air with his stick or his umbrella as if he were fighting an invisible ghost, one was always reminded of a person from the imaginary circles of E. Th. A. Hoffmann.

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