Music
In classical music, as a technical term, parody refers to a reworking of one kind of composition into another (for example, a motet into a keyboard work as Girolamo Cavazzoni, Antonio de Cabezón, and Alonso Mudarra all did to Josquin des Prez motets). More commonly, a parody mass (missa parodia) or an oratorio used extensive quotation from other vocal works such as motets or cantatas; Victoria, Palestrina, Lassus, and other notable composers of the 16th century used this technique. The term is also sometimes applied to procedures common in the Baroque period, such as when Bach reworks music from cantatas in his Christmas Oratorio.
The musicological definition of the term parody has now generally been supplanted by a more general meaning of the word. In its more contemporary usage, musical parody usually has humorous, even satirical intent, in which familiar musical ideas or lyrics are lifted into a different, often incongruous, context. Musical parodies may imitate or refer to the peculiar style of a composer or artist, or even a general style of music. For example, The Ritz Roll and Rock, a song and dance number performed by Fred Astaire in the movie Silk Stockings, parodies the Rock and Roll genre. Similarly, some YouTube parodies, such as those of The Key of Awesome or The Lonely Island, are based on an artist's style rather than any particular tune.
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Famous quotes containing the word music:
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)
“When in our music God is glorified,
and adoration leaves no room for pride,
it is as though the whole creation cried Alleluia!”
—Frederick Pratt Green (b. 1903)
“I defied the machinery to make me its slave. Its incessant discords could not drown the music of my thoughts if I would let them fly high enough.”
—Lucy Larcom (18241893)