Parsifal - Criticism and Influence

Criticism and Influence

As Wagner's last opera, Parsifal has been both influential and controversial. The use of Christian symbols in Parsifal (the Grail, the Spear, references to the Redeemer) together with its restriction to Bayreuth for almost 30 years sometimes led to performances being regarded almost as a religious rite. It should be noted, however, that Wagner never actually refers to Jesus Christ by name in the opera, preferring instead to refer to "The Redeemer". In his essay "Religion and Art" Wagner himself described the use of Christian imagery thus:

"When religion becomes artificial, art has a duty to rescue it. Art can show that the symbols which religions would have us believe literally true are actually figurative. Art can idealize those symbols, and so reveal the profound truths they contain."

The critic Eduard Hanslick objected to the religious air surrounding Parsifal even at the premiere: "The question of whether Parsifal should really be withheld from all theatres and limited to... Bayreuth was naturally on all tongues... I must state here that the church scenes in Parsifal did not make the offensive impression on me that others and I had been led to expect from reading the libretto. They are religious situations - but for all their earnest dignity they are not in the style of the church, but completely in the style of the opera. Parsifal is an opera, call it a 'stage festival' or 'consecrational stage festival' if you will."

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