Pete Townshend - Religion

Religion

Townshend showed no predilection for religious belief in the first years of The Who's career. By the beginning of 1968, however, Townshend had begun to explore spiritual ideas. In January 1968, The Who recorded his song "Faith in Something Bigger" (Odds & Sods). Townshend's art school friend Mike McInnerney gave him a copy of C. B. Purdom's book The God-Man, introducing him to the writings of the Indian "perfect master" Meher Baba, who blended elements of Vedantic, Sufi, and Mystic schools.

Townshend swiftly absorbed all of Baba's writings that he could find; by April 1968, he announced himself Baba's disciple. At about this time, Townshend, who had been searching the past two years for a basis for a rock opera, created a story inspired by the teachings of Baba and other Indian spiritualists that would ultimately become Tommy.

Tommy did more than revitalise The Who's career (which was moderately successful at this point but had reached a plateau); it also marked a renewal of Townshend's songwriting and his spiritual studies infused most of his work from Tommy forward, including the unfinished Who project Lifehouse. The Who song "Baba O'Riley", written for Lifehouse and eventually appearing on the album Who's Next, was named for Meher Baba and minimalist composer Terry Riley. His newfound passion was not shared by his bandmates, whose attitude was tolerant, but who were unwilling to become the spokesmen for a particular religion. Few of the thousands of fans who packed stadiums across Europe and the U.S. to see The Who noticed the religious message in the songs: that "Bargain" and the middle section of "Behind Blue Eyes" from Who's Next and "Listening To You" from Tommy were all originally written as prayers, that "Drowned" from Quadrophenia and "Don't Let Go The Coat" from Face Dances were based on Baba's sayings, that the "who are you, who, who, who, who" chorus from the song "Who Are You" was based on Sufi chants, or that "Let My Love Open The Door" was not a message from a lover but from God.

In interviews Townshend was more open about his beliefs, penning an article on Baba for Rolling Stone in 1970 and stating that following Baba's teachings, he was opposed to the use of all psychedelic drugs, making him one of the first rock stars with counterculture credibility to turn against their use.

His stardom quickly made him the world's most notable follower of Baba. Having missed out on meeting his guru with Baba's death 31 January 1969 (work on Tommy kept him from making the pilgrimage), Townshend made several trips to visit Baba's tomb in India as well as becoming a frequent visitor to the Meher Baba Spiritual Center in Myrtle Beach, South Carolina. At home he recorded and released his most overtly spiritual songs on records assembled, pressed and sold by Baba organisations. When these records became widely bootlegged, Townshend put together a selection of the tracks for release as the solo album Who Came First. One of the songs from that album, "Parvardigar", a Baba prayer set to music by Townshend, would gradually be accepted as a hymn by the Baba movement. In 1976 he opened the Oceanic Centre in London, using it as a haven for English Baba followers and Americans making a pilgrimage to Baba's tomb in Meherabad, India as well as a place for small concerts (one such in 1979 was released on CD in 2001 as Pete Townshend & Raphael Rudd—The Oceanic Concerts) and a repository for films made of Baba.

Townshend became a lower-profile member after 1982, having felt that his former addictions to cocaine and heroin made him a poor candidate for spokesman. Nevertheless, his discipleship continues to the current day.