Music
In the opinion of Lewis, Physical Graffiti:
was a massive outpouring of Zeppelin music that proved to be the definitive summary of their studio work... Given the luxury of a double format, Physical Graffiti mirrors every facet of the Zeppelin repertoire. The end result is a finely balanced embarrassment of riches.
Spanning several years of recording, the album featured forays into a range of musical styles, including hard rock ("The Rover", "The Wanton Song", "Sick Again", "Houses of the Holy"), eastern-influenced orchestral rock ("Kashmir"), driving funk ("Trampled Under Foot"), acoustic rock and roll ("Boogie with Stu", "Black Country Woman"), love ballad ("Ten Years Gone"), blues rock ("In My Time of Dying"), and acoustic guitar instrumental ("Bron-Yr-Aur"). The wide range of Physical Graffiti is also underlined by the fact that it contains both the longest and shortest studio recordings by Led Zeppelin. "In My Time of Dying" clocks in at eleven minutes and five seconds, and "Bron-Yr-Aur" is two minutes and six seconds. With the exception of "The Battle of Evermore" on their fourth album, it is also the only Led Zeppelin album to feature John Paul Jones playing additional guitar on some tracks.
Several tracks off the album became live staples at Led Zeppelin concerts. In particular, "In My Time of Dying", "Trampled Under Foot", "Kashmir", "Ten Years Gone", and "Sick Again" became regular components of the band's live concert set lists following the release of the album.
According to Robert Plant, of all the albums Led Zeppelin released, Physical Graffiti represented the band at its most creative and most expressive. He has commented that it is his favourite Led Zeppelin album. Similarly, guitarist Jimmy Page considers this album to be a "high watermark" for Led Zeppelin.
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Famous quotes containing the word music:
“I defied the machinery to make me its slave. Its incessant discords could not drown the music of my thoughts if I would let them fly high enough.”
—Lucy Larcom (1824–1893)
“The man that hath no music in himself,
Nor is not moved with concord of sweet sounds,
Is fit for treasons, stratagems, and spoils.
The motions of his spirit are dull as night,
And his affections dark as Erebus.
Let no such man be trusted.”
—William Shakespeare (1564–1616)
“I think sometimes, could I only have music on my own terms; could I live in a great city and know where I could go whenever I wished the ablution and inundation of musical waves,—that were a bath and a medicine.”
—Ralph Waldo Emerson (1803–1882)