Pier Paolo Pasolini - Legacy

Legacy

As a director, Pasolini created a picaresque neorealism, showing a sad reality. Many people did not want to see such portrayals in artistic work for public distribution. Mamma Roma (1962), featuring Anna Magnani and telling the story of a prostitute and her son, was an affront to the morality of those times. His works, with their unequaled poetry applied to cruel realities, showing that such realities are less distant from us than we imagine, made a major contribution to change in the Italian psyche.

The director also promoted in his works the concept of "natural sacredness," the idea that the world is holy in and of itself. He suggested there was no need for spiritual essence or supernatural blessing to attain this state. Pasolini was an avowed atheist.

General disapproval of Pasolini's work was perhaps caused primarily by his frequent focus on sexual mores, and the contrast between what he presented and publicly sanctioned behavior. While Pasolini's poetry often dealt with his same-sex love interests, this was not the only, or even main, theme. His interest and approach to Italian dialects should also be noted. Much of the poetry was about his highly revered mother. As a sensitive and intelligent man, he depicted certain corners of the contemporary reality as few other poets could do. His poetry was not as well known as his films outside Italy.

He had also developed a philosophy of the language mainly related with his studies on Cinema; this theorical and critical activity was another debated topic by the acclimated cultural background as the collected articles still available today show pretty clearly.

These studies can be considered as the foundation of his artistic point of view, as a matter of fact they basically point out two aspects: the language - as English, Italian, dialect or other - is a rigid system in which the human thought is trapped as well; the cinema is the written language of reality which, like any other written language, enable man to see things from the point of view of truth.

His films won awards at the Berlin Film Festival, Cannes Film Festival, Venice Film Festival, Italian National Syndicate for Film Journalists, Jussi Awards, Kinema Junpo Awards, International Catholic Film Office and New York Film Critics Circle.

Ebbo Demant directed the documentary Das Mitleid ist gestorben about Pasolini.

In 2005 Stefano Battaglia recorded Re: Pasolini in dedication to Pasolini.