Television and Film Portrayals
Shelley Winters portrayed Adler in the 1964 film version of Adler's book. The 1989 Perry Mason TV-movie Musical Murder revolved around a faux-musical based on Adler. Adler was portrayed by the actress Gisèle Rousseau in the 1994 film Mrs. Parker and the Vicious Circle. The television show 'M*A*S*H' episode "Bulletin Board" features a party/picnic called the "First Annual Polly Adler Birthday Cook-out Picnic and Bar-B-Que," with all proceeds going to Sr. Teresa's Orphanage. The picnic scene climaxes with a tug of war between the officers and enlisted men.
Read more about this topic: Polly Adler
Famous quotes containing the words television and, television, film and/or portrayals:
“His [O.J. Simpson’s] supporters lined the freeway to cheer him on Friday and commentators talked about his tragedy. Did those people see the photographs of the crime scene and the great blackening pools of blood seeping into the sidewalk? Did battered women watch all this on television and realize more vividly than ever before that their lives were cheap and their pain inconsequential?”
—Anna Quindlen (b. 1952)
“So why do people keep on watching? The answer, by now, should be perfectly obvious: we love television because television brings us a world in which television does not exist. In fact, deep in their hearts, this is what the spuds crave most: a rich, new, participatory life.”
—Barbara Ehrenreich (b. 1941)
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)
“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.”
—Richard Louv (20th century)