Principal Branch

In mathematics, a principal branch is a function which selects one branch, or "slice", of a multi-valued function. Most often, this applies to functions defined on the complex plane: see branch cut.

One way to view a principal branch is to look specifically at the exponential function, and the logarithm, as it is defined in complex analysis.

The exponential function is single-valued, where is defined as:

where .

However, the periodic nature of the trigonometric functions involved makes it clear that the logarithm is not so uniquely determined. One way to see this is to look at the following:

and

where k is any integer.

Any number log(z) defined by such criteria has the property that elog(z) = z.

In this manner log function is a multi-valued function (often referred to as a "multifunction" in the context of complex analysis). A branch cut, usually along the negative real axis, can limit the imaginary part so it lies between −π and π. These are the chosen principal values.

This is the principal branch of the log function. Often it is defined using a capital letter, Log(z).

A more familiar principal branch function, limited to real numbers, is that of a positive real number raised to the power of 1/2.

For example, take the relation y = x1/2, where x is any positive real number.

This relation can be satisfied by any value of y equal to a square root of x (either positive or negative). When y is taken to be the positive square root, we write .

In this instance, the positive square root function is taken as the principal branch of the multi-valued relation x1/2.

Principal branches are also used in the definition of many inverse trigonometric functions.

Famous quotes containing the words principal and/or branch:

    The principal difference between love and hate is that love is a irradiation, and hate is a concentration. Love makes everything lovely; hate concentrates itself on the object of its hatred.
    Sydney J. Harris (b. 1917)

    When I am finishing a picture I hold some God-made object up to it—a rock, a flower, the branch of a tree or my hand—as a kind of final test. If the painting stands up beside a thing man cannot make, the painting is authentic. If there’s a clash between the two, it is bad art.
    Marc Chagall (1889–1985)