Movement
| a | b | c | d | e | f | g | h | ||
| 8 | 8 | ||||||||
| 7 | 7 | ||||||||
| 6 | 6 | ||||||||
| 5 | 5 | ||||||||
| 4 | 4 | ||||||||
| 3 | 3 | ||||||||
| 2 | 2 | ||||||||
| 1 | 1 | ||||||||
| a | b | c | d | e | f | g | h |
| a | b | c | d | e | f | g | h | ||
| 8 | 8 | ||||||||
| 7 | 7 | ||||||||
| 6 | 6 | ||||||||
| 5 | 5 | ||||||||
| 4 | 4 | ||||||||
| 3 | 3 | ||||||||
| 2 | 2 | ||||||||
| 1 | 1 | ||||||||
| a | b | c | d | e | f | g | h |
| King | |
| Queen | |
| Rook | |
| Bishop | |
| Knight | |
| Pawn |
The queen can be moved any number of unoccupied squares in a straight line vertically, horizontally, or diagonally, thus combining the moves of the rook and bishop. The queen captures by occupying the square on which an enemy piece sits.
Although both players start with one queen each, a player can promote a pawn to any of several types of pieces, including a queen, when the pawn is moved to the player's furthest rank (the opponents first rank). Such a queen created by promotion can be an additional queen, or if the player's queen has been captured, a replacement queen. Pawn promotion to a queen is colloquially called queening, which is by far the most common type of piece a pawn is promoted to because of the relative power of a queen.
Read more about this topic: Queen (chess)
Famous quotes containing the word movement:
“I have been photographing our toilet, that glossy enameled receptacle of extraordinary beauty.... Here was every sensuous curve of the “human figure divine” but minus the imperfections. Never did the Greeks reach a more significant consummation to their culture, and it somehow reminded me, in the glory of its chaste convulsions and in its swelling, sweeping, forward movement of finely progressing contours, of the Victory of Samothrace.”
—Edward Weston (1886–1958)
“For what we call illusions are often, in truth, a wider vision of past and present realities—a willing movement of a man’s soul with the larger sweep of the world’s forces—a movement towards a more assured end than the chances of a single life.”
—George Eliot [Mary Ann (or Marian)