Dissolution and Post-breakup
Prior to the release of Old Ramon, Kozelek released a solo seven-song EP entitled Rock 'n' Roll Singer in 2000. The record consisted of three original acoustic compositions with minor full-band arrangements and four covers (three from Bon Scott-era AC/DC, and John Denver's "Around and Around") that further revealed Kozelek's fascination with 1970s classic rock. Six months later, Kozelek released his first solo album, What's Next to the Moon, which was made up entirely of acoustic covers of even more Bon Scott-era AC/DC songs, including re-recorded versions of the tracks that had appeared on the previous EP. The record was uncharacteristic of Kozelek (though he was prone to covering songs by his favorite artists) in that it is one of the shortest full-length albums of his to date, clocking in at just over thirty minutes. Both the EP and album were released by Badman Recordings.
4AD would release the best-of package, Retrospective, in July 1999. Kozelek subsequently contributed to the AIDS benefit album The Shanti Project Collection, and organized and appeared on Take Me Home: A Tribute to John Denver, a John Denver tribute album (along with like-minded artists like Bonnie 'Prince' Billy, Low, and The Innocence Mission). He also dabbled in acting, playing small parts in the Cameron Crowe films Almost Famous and Vanilla Sky, as well as appearing more prominently as a rock musician alongside Jason Schwartzman in the 2005 Steve Martin vehicle Shopgirl.
Phil Carney occasionally accompanies Kozelek on tour dates, playing second guitar. Drummer Anthony Koutsos is also a real estate agent in San Francisco.
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Famous quotes containing the words dissolution and and/or dissolution:
“We are threatened with suffering from three directions: from our own body, which is doomed to decay and dissolution and which cannot even do without pain and anxiety as warning signals; from the external world, which may rage against us with overwhelming and merciless forces of destruction; and finally from our relations to other men. The suffering which comes from this last source is perhaps more painful than any other.”
—Sigmund Freud (1856–1939)
“From low to high doth dissolution climb,
And sink from high to low, along a scale
Of awful notes, whose concord shall not fail;”
—William Wordsworth (1770–1850)