In jazz, a shout chorus is usually the last chorus of a Big Band arrangement, and is characterized by being the most energetic, lively, and exciting and by containing the musical climax of the piece. A shout chorus characteristically employs extreme ranges, loud dynamics, and a re-arrangement of melodic motives into short, accented riffs. Shout choruses often feature tutti or concerted writing, but may also use contrapuntal writing or call and response between the brass and saxophones, or between the ensemble and the drummer. Additionally, brass players frequently use extended techniques such as falls, doits, turns, and shakes to add excitement.
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Famous quotes containing the words shout and/or chorus:
“And what do I care if she marries another? every other night I dream of her dresses and things on an endless clothesline of bliss, in a ceaseless wind of possession, and her husband shall never learn what I do to the silks and fleece of the dancing witch. This is love’s supreme accomplishment. I am happy—yes, happy! What more can I do to prove it, how to proclaim that I am happy? Oh, to shout it so that all of you believe me at last, you cruel, smug people.”
—Vladimir Nabokov (1899–1977)
“Come on, clown, sing us a chorus of Pagliacci.”
—Stanley Kubrick (b. 1928)