Legacy
By the mid-nineties, riot grrrl had severely splintered. Many within the movement felt that the mainstream media had completely misrepresented their message, and that the politically radical aspects of riot grrrl had been subverted by the likes of the Spice Girls and their "girl power" message, or co-opted by ostensibly women-centered bands (though sometimes with only one female performer per band) and festivals like Lilith Fair.
However, the influence of riot grrrl can still be felt in many aspects of indie and punk rock culture. Kaia Wilson of Team Dresch and multimedia artist Tammy Rae Carland went on to form the now-defunct Mr. Lady Records which released albums by The Butchies, The Need, Kiki and Herb, and Tracy + the Plastics.
Many of the women involved in riot grrrl are still active in creating politically charged music. Kathleen Hanna went on to found the electro-feminist post-punk 'protest pop' group Le Tigre, Kathi Wilcox joined The Casual Dots with Christina Billotte of Slant 6, and Tobi Vail formed Spider and the Webs. Corin Tucker of Heavens to Betsy and Carrie Brownstein of Excuse 17 co-founded Sleater-Kinney at the tail end of the movement, and Bratmobile reunited in 2000 to release two albums, before Allison Wolfe began singing with other all-women bands, Cold Cold Hearts, and currently Partyline. Molly Neuman now plays with New York punk band Love Or Perish and runs her own indie label called Simple Social Graces Discos, as well as co-owning Lookout! Records and managing The Donnas, Ted Leo, Some Girls, and The Locust.
The legacy of riot grrrl is clearly visible in numerous girls and women worldwide who cite the movement as an interest or an influence on their lives and/or their work. Some just listen to riot grrrl bands while others form or join bands themselves, slowly paving the way for fulfillment of one of the goals of original riot grrrl - increasing the number and significance of women in alternative music and music in general. Some of them are self-proclaimed riot grrrls while others consider themselves simply admirers or fans. There are many fansites and message boards for riot grrrl on the Internet.
In the foreword to Riot Grrrl: Revolution Girl Style Now! Beth Ditto writes of riot grrrl,
A movement formed by a handful of girls who felt empowered, who were angry, hilarious, and extreme through and for each other. Built on the floors of strangers' living rooms, tops of Xerox machines, snail mail, word of mouth and mixtapes, riot grrrl reinvented punk.
Writing about riot grrrl's personal influence on her and her music, she muses on the meaning of the movement for her generation,
Until I found riot grrrl, or riot grrrl found me I was just another Gloria Steinem NOW feminist trying to take a stand in shop class. Now I am a musician, a writer, a whole person.
Starting during the fall of 2010 the "Riot Grrrl Collection" has been housed at New York University's Fales Library and Special Collections, as "The Fales Riot Grrrl Collection." The collection's primary mandate is "to collect unique materials that provide documentation of the creative process of individuals and the chronology of the movement overall." Kathleen Hanna, Johanna Fateman, and Becca Albee have donated primary source material, while Molly Neuman, Allison Wolfe, Kathi Wilcox, and Carrie Brownstein are expected to donate material shortly. The collection is the brainchild of Lisa Darms, Senior Archivist at the Fales Library. According to Jenna Freedman, a librarian who maintains a zine collection at Barnard College, "It's just essential to preserve the activist voices in their own unmediated work, especially because of the media blackout that they called for". Kathleen Hanna, while understanding no collection can replicate the concert experience, feels the collection is a safe place that will be "free from feminist erasure".
In 2010 Girls to the Front: The True Story of the Riot Grrrl Revolution, by Sara Marcus, was published. It is the first published history of the Riot Grrrl movement. Sara Marcus herself had attended Riot Grrrl meetings.
The term "grrrl" (or "grrl") itself has since been co-opted or used by agencies as diverse as advocacy on behalf of the Electronic Frontier Foundation (GRRL POWER 1.0 5-PACK / Memetics for the Ladies) and a roller derby league in Singapore.
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