Theatre Career
- First stage appearance in Dr Syn (Hippodrome, Margate, 28 May 1928)
- First London role, a pirate in Treasure Island (Strand Theatre, Christmas 1929)
- Touring, plus Playhouse Oxford and Festival Cambridge repertory, (1931–1933)
- Oakes in Up In the Air (Royalty Theatre, London 1933)
- Touring with Sir Frank Benson (1934–35)
- Ran a repertory company with Peter Bull (Perranporth, Cornwall, 1935)
- Title role in Oscar Wilde (Gate Theatre Studio, Villiers Street, London, 1936)
- Alexandre Dumas in The Great Romancer (Strand Theatre and New Theatre, 1937)
- Henry Higgins in Pygmalion (Old Vic Theatre, 1937)
- Title role in Oscar Wilde (Fulton Theatre, New York, October 1938)
- Title role in Springtime for Henry (Perranporth, 1939)
- Descius Heiss in Play with Fire (try-out version of The Shop at Sly Corner, Theatre Royal, Brighton, 1941)
- Sheridan Whiteside in The Man Who Came to Dinner (Savoy Theatre — and on tour — 1941–1943)
- Charles in Staff Dance (also wrote, touring UK, 1944)
- Prince Regent in The First Gentleman (New Theatre and Savoy, 1945–46)
- Arnold Holt in Edward, My Son (also co-wrote, His Majesty's Theatre, 1947; also played this role at the Martin Beck Theatre New York 1948, and in Australia and New Zealand, 1949–50)
- Philip in The Little Hut (Lyric Theatre, 1950)
- Hippo in Hippo Dancing (also adapted, Lyric, 1954)
- Oswald Petersham in A Likely Tale (Globe Theatre, 1956)
- Panisse in the musical Fanny (Drury Lane, 1956
- The Tunnel of Love (directed, Her Majesty's, 1957)
- Sebastian Le Boeuf in Hook, Line and Sinker (also adapted, Piccadilly Theatre, 1958)
- Once More, with Feeling (directed, New Theatre, 1959)
- Mr Asano in A Majority of One (Phoenix Theatre, 1960)
- Title role in Mr Rhodes (Theatre Royal Windsor, 1961)
- The Bishop in A Time to Laugh (Piccadilly, 1962)
- The Sound of Morley (One-man show, touring Australia 1966–67)
- Sir Mallalieu Fitzbuttress in Halfway Up the Tree (Queen's Theatre, 1967)
- Frank Foster in How the Other Half Loves (Lyric, 1970; also North America, 1972, and Australia, 1973)
- Barnstable in A Ghost on Tiptoe (also co-wrote, Savoy, 1974)
- Pound in Banana Ridge (Savoy, 1976)
- Toured Robert Morley Talks to Everyone (1978)
- Picture of Innocence (co-wrote and toured UK and Canada, 1978)
- Hilary in Alan Bennett's The Old Country (Theatre Royal, Sydney, 1980)
Read more about this topic: Robert Morley
Famous quotes containing the words theatre and/or career:
“Glorious bouquets and storms of applause ... are the trimmings which every artist naturally enjoys. But to move an audience in such a role, to hear in the applause that unmistakable note which breaks through good theatre manners and comes from the heart, is to feel that you have won through to life itself. Such pleasure does not vanish with the fall of the curtain, but becomes part of ones own life.”
—Dame Alice Markova (b. 1910)
“He was at a starting point which makes many a mans career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)