Symbols
From 104 BC onwards, each legion used an aquila (eagle) as its standard symbol. The symbol was carried by an officer known as aquilifer, and its loss was considered to be a very serious embarrassment, and often led to the disbanding of the legion itself. Normally this was because any legion incapable of regaining its eagle in battle was so severely mauled it was no longer combat effective.
In Gallic War (Bk IV, Para. 25), Julius Caesar describes an incident at the start of his first invasion of Britain in 55 BC that illustrated how fear for the safety of the eagle could drive Roman soldiers. When Caesar's troops hesitated to leave their ships for fear of the Britons, the aquilifer of the tenth legion threw himself overboard and, carrying the eagle, advanced alone against the enemy. His comrades, fearing disgrace, 'with one accord, leapt down from the ship' and were followed by troops from the other ships.
With the birth of the Roman Empire, the legions created a bond with their leader, the emperor himself. Each legion had another officer, called imaginifer, whose role was to carry a pike with the imago (image, sculpture) of the emperor as pontifex maximus.
Each legion, furthermore, had a vexillifer who carried a vexillum or signum, with the legion name and emblem depicted on it, unique to the legion. It was common for a legion to detach some sub-units from the main camp to strengthen other corps. In these cases, the detached subunits carried only the vexillum, and not the aquila, and were called, therefore, vexillationes. A miniature vexillum, mounted on a silver base, was sometimes awarded to officers as a recognition of their service upon retirement or reassignment.
Civilians could also be rewarded for their assistance to the Roman legions. In return for outstanding service, a citizen was given an arrow without a head. This was considered a great honour and would bring the recipient much prestige.
Read more about this topic: Roman Legion
Famous quotes containing the word symbols:
“Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.”
—C. John Sommerville (20th century)
“The use of symbols has a certain power of emancipation and exhilaration for all men. We seem to be touched by a wand, which makes us dance and run about happily, like children. We are like persons who come out of a cave or cellar into the open air. This is the effect on us of tropes, fables, oracles, and all poetic forms. Poets are thus liberating gods.”
—Ralph Waldo Emerson (1803–1882)
“Many older wealthy families have learned to instill a sense of public service in their offspring. But newly affluent middle-class parents have not acquired this skill. We are using our children as symbols of leisure-class standing without building in safeguards against an overweening sense of entitlement—a sense of entitlement that may incline some young people more toward the good life than toward the hard work that, for most of us, makes the good life possible.”
—David Elkind (20th century)