Gallery
- Emerging Romanticism in the 18th century
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Joseph Vernet, 1759, Shipwreck; the 18th century "sublime"
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Joseph Wright, 1774, Cave at evening, Smith College Museum of Art, Northampton, Massachusetts
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Henry Fuseli, 1781, The Nightmare, a classical artist whose themes often anticipate the Romantic
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Philip James de Loutherbourg, Coalbrookdale by Night, 1801, a key location of the English Industrial Revolution
- French Romantic painting
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Théodore Géricault, The Charging Chasseur, c. 1812
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Ingres, Death of Leornardo da Vinci, 1818, one of his Troubadour style works
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Eugène Delacroix, Collision of Moorish Horsemen, 1843–44
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Eugène Delacroix, The Bride of Abydos, after the poem by Byron
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Joseph Anton Koch, Waterfalls at Subiaco 1812–1813, a "classical" landscape to art historians
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James Ward, 1814–1815, Gordale Scar
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John Constable, 1821, The Hay Wain, one of Constable's large "six footers"
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J. C. Dahl, 1826, Eruption of Vesuvius, by Friedrich's closest follower
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William Blake, c. 1824–27, The Wood of the Self-Murderers: The Harpies and the Suicides, Tate
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Karl Bryullov, The Last Day of Pompeii, 1833, The State Russian Museum, St. Petersburg, Russia
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J. M. W. Turner, The Burning of the Houses of Lords and Commons (1835), Philadelphia Museum of Art
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Hans Gude, Winter Afternoon, 1847, National Gallery of Norway, Oslo
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Ivan Aivazovsky, 1850, "The Ninth Wave", State Russian Museum, St. Petersburg
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John Martin, 1852, The Destruction of Sodom and Gomorrah, Laing Art Gallery
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Frederic Edwin Church, 1860, Twilight in the Wilderness, Cleveland Museum of Art
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Albert Bierstadt, 1863, The Rocky Mountains, Lander's Peak
Read more about this topic: Romanticism
Famous quotes containing the word gallery:
“Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.”
—Henry David Thoreau (18171862)
“To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
—Thomas Henry Huxley (182595)
“It doesnt matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
—Anton Pavlovich Chekhov (18601904)