A Movement Emerges
In April 1947, Gleason organized the First Festival of Modern Poetry at the Lucien Labaudt Gallery, Gough Street. Over the space of two evenings, she brought twelve poets, including Rexroth, Robert Duncan and Spicer to an audience of young poets and poetry lovers. This was the first public recognition of the range of experimental poetic practice that was current in the city.
During the 1950s, Duncan and Robert Creeley both spent periods of time teaching at Black Mountain College and acted as links between the San Francisco poets and the Black Mountain poets. Many of the San Francisco writers began to publish in Cid Corman's Origin and in the Black Mountain Review, the house journals of the Black Mountain group. Spicer's interest in the canto jondo also led to links with the deep image poets. In 1957, Spicer ran his seminar Poetry as Magic at San Francisco State College with Duncan as a participant.
Read more about this topic: San Francisco Renaissance
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