Sexual Objectification - Sexual Objectification of Women

Sexual Objectification of Women

Feminist scholars say that the objectification of women involves the act of disregarding the personal and intellectual abilities and capabilities of a female; and reducing a woman's worth or role in society to that of an instrument for the sexual pleasure that she can produce in the mind of another. Although opinions differ as to which situations are objectionable, some feminists see objectification of women taking place in the sexually oriented depictions of women in advertising and media, women being portrayed as weak or submissive through pornography, images in more mainstream media such as advertising and art, stripping and prostitution, men brazenly evaluating or judging women sexually or aesthetically in public spaces, and the presumed need for cosmetic surgery, particularly breast enlargement and labiaplasty.

Feminists argue that women have historically been valued mainly for their physical attributes. Some feminists and psychologists argue that such objectification can lead to negative psychological effects including depression and hopelessness, and can give women negative self-images because of the belief that their intelligence and competence are currently not being, or will never be, acknowledged by society. Some would argue that the feminist movement itself has contributed to the problem of the sexual objectification of women. By pushing for an end to the so-called oppressive patriarchal marriage, thinking that it would be best if the newly liberated women could just be freelovers and have sex with random partners outside the so-called oppressive patriarchal marriage system. The precise degree to how objectification has affected women and society in general is a topic of academic debate. Such claims include: girls' understanding of the importance of appearance in society may contribute to feelings of fear, shame, and disgust that some experience during the transition from girlhood to womanhood because they sense that they are becoming more visible to society as sexual objects; and that young women are especially susceptible to objectification, as they are often taught that power, respect, and wealth can be derived from one's outward appearance.

Pro-feminist cultural critics such as Robert Jensen and Sut Jhally accuse mass media and advertising of promoting the objectification of women to help promote goods and services.

The objection to the objectification of women is not a recent phenomenon. In the French Enlightenment, for example, there was a debate as to whether a woman's breasts were merely a sensual enticement or rather a natural gift. In Alexandre Guillaume Mouslier de Moissy's 1771 play The True Mother (La Vraie Mère), the title character rebukes her husband for treating her as merely an object for his sexual gratification: "Are your senses so gross as to look on these breasts – the respectable treasures of nature – as merely an embellishment, destined to ornament the chest of women?"