Culture
See also: Religion in Seychelles, Women in Seychelles, and Music of SeychellesSeychellois society is essentially matriarchal. Mothers tend to be dominant in the household, controlling most current expenditures and looking after the interests of the children. Unwed mothers are the societal norm, and the law requires fathers to support their children. Men are important for their earning ability, but their domestic role is relatively peripheral. Older women can usually count on financial support from family members living at home or contributions from the earnings of grown children.
The music of Seychelles is diverse. The folk music of the islands incorporates multiple influences in a syncretic fashion, including African rhythms, aesthetic and instrumentation—such as the zez and the bom (known in Brazil as berimbau), European contredanse, polka and mazurka, French folk and pop, sega from Mauritius and Réunion, taarab, soukous and other pan-African genres, and Polynesian, Indian and Arcadian music. A complex form of percussion music called contombley is popular, as is Moutya, a fusion of native folk rhythms with Kenyan benga.
Traditionally, despite a greater connection with Great Britain (e.g., in education, which follows the International General Certificate of Education (IGCSE), and on many aspects of the law) many foreign observers have stated that "the culture remains emphatically French" and about 70% of the population have a family name of French origin, compared with only about 20% family names of English origin. The two are often mixed, such that inhabitants receive an English first name and a French family name or vice-versa (e.g., Jean-Pierre Kingsmith).
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Famous quotes containing the word culture:
“Why is it so difficult to see the lesbian—even when she is there, quite plainly, in front of us? In part because she has been “ghosted”Mor made to seem invisible—by culture itself.... Once the lesbian has been defined as ghostly—the better to drain her of any sensual or moral authority—she can then be exorcised.”
—Terry Castle, U.S. lesbian author. The Apparitional Lesbian, ch. 1 (1993)
“With respect to a true culture and manhood, we are essentially provincial still, not metropolitan,—mere Jonathans. We are provincial, because we do not find at home our standards; because we do not worship truth, but the reflection of truth; because we are warped and narrowed by an exclusive devotion to trade and commerce and manufacturers and agriculture and the like, which are but means, and not the end.”
—Henry David Thoreau (1817–1862)
“No race has the last word on culture and on civilization. You do not know what the black man is capable of; you do not know what he is thinking and therefore you do not know what the oppressed and suppressed Negro, by virtue of his condition and circumstance, may give to the world as a surprise.”
—Marcus Garvey (1887–1940)