Features
Clarke lectured frequently, speaking at theaters and museums. The Connection (1961) from the play by Jack Gelber concerning heroin-addicted jazz musicians, was a landmark for the emergence of a New York independent feature film movement. It heralded a new style that employed greater cinematic realism and addressed relevant social issues in black-and-white low-budget films. It was also important because Clarke made the films the first test case in a successful fight to abolish New York State's censorship rules. It also served as a commentary on the failures of cinema verité. It appears to be a documentary on a way of life, but it is really a carefully scripted film.
Her next feature, The Cool World (1964), was the first movie to dramatize a story on black street gangs without relying upon Hollywood-style moralizing. Shot on location in Harlem, it was based on a novel by Warren Miller. This was the first film to be produced by Frederick Wiseman.
Clarke directed a 90-minute interview with a black homosexual, Portrait of Jason (1967), that became a selection of the fifth New York Film Festival. Edited from 12 hours of interview footage. the film was described by Lauren Rabinovitz as an exploration of one "person's character while it simultaneously addresses the range and limitations of cinema-verité style". The film was distributed by the Film-Makers Distribution Center. Co-founded by Clarke in 1966, this distributor closed in 1970 due to a lack of funds.
Robert Frost: A Lover's Quarrel With the World (1963), directed by Clarke and starring the poet Robert Frost, won the Academy Award for Documentary Feature in 1963.
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Famous quotes containing the word features:
“These, then, will be some of the features of democracy ... it will be, in all likelihood, an agreeable, lawless, particolored commonwealth, dealing with all alike on a footing of equality, whether they be really equal or not.”
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