Relationships With Humans
Sparrows may be the most familiar of all wild birds. Many sparrow species commonly live in agricultural areas, and for several human settlements are a primary habitat. The Eurasian Tree and House Sparrows are particularly specialised in living around humans and inhabit cities in large numbers. 17 of the 26 species recognised by the Handbook of the Birds of the World are known to nest on and feed around buildings.
Grain-eating species, in particular the House and Sudan Golden Sparrows, can be significant agricultural pests. Sparrows can be beneficial to humans as well, especially by eating insect pests. Attempts at the large-scale control of sparrows have failed to affect sparrow populations significantly, or have been accompanied by major increases in insect attacks probably resulting from a reduction of sparrows, as in the Great Sparrow Campaign in 1950s China.
Because of their familiarity, the House Sparrow and other sparrows are frequently used to represent the common and vulgar, or the lewd. Birds usually described later as sparrows are referred to in many works of ancient literature and religious texts in Europe and western Asia. These references may not always refer specifically to sparrows, or even to small, seed-eating birds, but later writers who were inspired by these texts often had the House Sparrow and other members of the family in mind. In particular, sparrows were associated by the ancient Greeks with Aphrodite, the goddess of love, due to their perceived lustfulness, an association echoed by later writers such as Chaucer and Shakespeare.
Jesus's use of "sparrows" as an example of divine providence in the Gospel of Matthew also inspired later references, such as that in Shakespeare's Hamlet and the Gospel hymn His Eye Is on the Sparrow.
Sparrows are represented in ancient Egyptian art very rarely, but an Egyptian hieroglyph is based on the House Sparrow, the sparrow hieroglyph:
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Sparrows have been kept as pets at many times in history, even though they are not colourful and their songs are unremarkable. They are also difficult to keep, as pet sparrows must be raised by hand as nestlings, requiring considerable supplies of insects to be fed to them. The earliest mentions of pet sparrows are from the Romans. Not all the passeri mentioned, often as pets, in Roman literature were necessarily sparrows, but some clearly describe their appearance and habits. The pet passer of Lesbia in Catullus's poems may not have been a sparrow, but a thrush or European Goldfinch. John Skelton's The Boke of Phyllyp Sparowe is a lament for a pet House Sparrow belonging to a Jane Scrope narrated by Scrope.
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