Sparta - Archaeology of The Classical Period

Archaeology of The Classical Period

Thucydides wrote:

Suppose the city of Sparta to be deserted, and nothing left but the temples and the ground-plan, distant ages would be very unwilling to believe that the power of the Lacedaemonians was at all equal to their fame. Their city is not built continuously, and has no splendid temples or other edifices; it rather resembles a group of villages, like the ancient towns of Hellas, and would therefore make a poor show.

Until the early 20th century, the chief ancient buildings at Sparta were the theatre, of which, however, little showed above ground except portions of the retaining walls; the so-called Tomb of Leonidas, a quadrangular building, perhaps a temple, constructed of immense blocks of stone and containing two chambers; the foundation of an ancient bridge over the Eurotas; the ruins of a circular structure; some remains of late Roman fortifications; several brick buildings and mosaic pavements.

The remaining archaeological wealth consisted of inscriptions, sculptures, and other objects collected in the local museum, founded by Stamatakis in 1872 and enlarged in 1907. Partial excavation of the round building was undertaken in 1892 and 1893 by the American School at Athens. The structure has been since found to be a semicircular retaining wall of Hellenic origin that was partly restored during the Roman period.

In 1904, the British School at Athens began a thorough exploration of Laconia, and in the following year excavations were made at Thalamae, Geronthrae, and Angelona near Monemvasia. In 1906, excavations began in Sparta.

A small circus described by Leake proved to be a theatre-like building constructed soon after AD 200 around the altar and in front of the temple of Artemis Orthia. Here musical and gymnastic contests took place as well as the famous flogging ordeal (diamastigosis). The temple, which can be dated to the 2nd century BC, rests on the foundation of an older temple of the 6th century, and close beside it were found the remains of a yet earlier temple, dating from the 9th or even the 10th century. The votive offerings in clay, amber, bronze, ivory and lead found in great profusion within the precinct range, dating from the 9th to the 4th centuries BC, supply invaluable evidence for early Spartan art.

In 1907, the sanctuary of Athena "of the Brazen House" (Chalkioikos) was located on the acropolis immediately above the theatre, and though the actual temple is almost completely destroyed, the site has produced the longest extant archaic inscription of Laconia, numerous bronze nails and plates, and a considerable number of votive offerings. The Greek city-wall, built in successive stages from the 4th to the 2nd century, was traced for a great part of its circuit, which measured 48 stades or nearly 10 km (Polyb. 1X. 21). The late Roman wall enclosing the acropolis, part of which probably dates from the years following the Gothic raid of AD 262, was also investigated. Besides the actual buildings discovered, a number of points were situated and mapped in a general study of Spartan topography, based upon the description of Pausanias. Excavations showed that the town of the Mycenaean Period was situated on the left bank of the Eurotas, a little to the south-east of Sparta. The settlement was roughly triangular in shape, with its apex pointed towards the north. Its area was approximately equal to that of the "newer" Sparta, but denudation has wreaked havoc with its buildings and nothing is left save ruined foundations and broken potsherds.

Read more about this topic:  Sparta

Famous quotes containing the words classical and/or period:

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    We are now going through a period of demolition. In morals, in social life, in politics, in medicine, and in religion there is a universal upturning of foundations. But the day of reconstruction seems to be looming, and now the grand question is: Are there any sure and universal principles that will evolve a harmonious system in which we shall all agree?
    Catherine E. Beecher (1800–1878)