Symphony No. 9 (Beethoven) - Notable Performances and Recordings

Notable Performances and Recordings

The London Philharmonic Choir débuted on 15 May 1947 performing the Ninth Symphony with the London Philharmonic Orchestra under the baton of Victor De Sabata at the Royal Albert Hall.

In 1951 Furtwängler and the Bayreuth Festival Orchestra reopened the Bayreuth Festival with a performance of the symphony, after the Allies temporarily suspended the Festival following the Second World War.

Political significance has attached to Beethoven's Ninth: Leonard Bernstein conducted a version of the 9th, with "Freiheit" ("Freedom") replacing "Freude" ("Joy"), to celebrate the fall of the Berlin Wall during Christmas 1989. This concert was performed by an orchestra and chorus made up of many nationalities: from Germany, the Bavarian Radio Symphony Orchestra and Chorus, the Chorus of the Berlin Radio Symphony Orchestra, and members of the Sächsische Staatskapelle Dresden; from the GDR,Philharmonischer Kinderchor Dresden GDR, members of the Orchestra of the Kirov Theatre, from the United Kingdom, members of the London Symphony Orchestra; from the USA, members of the New York Philharmonic, and from France, members of the Orchestre de Paris. Soloists were June Anderson, soprano, Sarah Walker, mezzo-soprano, Klaus König, tenor, and Jan-Hendrik Rootering, bass.

Bernstein made his first recording of the Beethoven Ninth in 1964 with the New York Philharmonic, for Columbia Masterworks, with soloists Martina Arroyo (soprano), Regina Safarty (mezzo), Nicholas di Virgilio (tenor), Norman Scott (bass), and the Juilliard Chorus. It was later reissued on CD. It was the first of three complete recordings of the Ninth that Bernstein made. He made his second recording of the piece with the Vienna Philharmonic for Deutsche Grammophon, in 1979. This second one featured Gwyneth Jones (soprano), Hanna Schwarz (mezzo), René Kollo, and Kurt Moll (bass), with the chorus of the Vienna State Opera.

Sir Georg Solti recorded with the Chicago Symphony Orchestra several times. Their last recording of this symphony in 1986 won the Grammy for Best Orchestral Recording.

There have been various attempts to record the Ninth to come closer to what Beethoven's contemporaries would have heard, i.e., with period instruments. Roger Norrington conducting the London Classical Players recorded it with period instruments for a 1987 release by EMI Records (rereleased in 1997 under the Virgin Classics label). Benjamin Zander made a 1992 recording of the Ninth with the Boston Philharmonic Orchestra and noted soprano Dominique Labelle (who first performed the work with Robert Shaw), following Beethoven's own metronome markings. 12 years later after Norrington, Philippe Herreweghe recorded the Ninth with his period-instrument Orchestre des Champs-Élysées and his Collegium Vocale chorus for Harmonia Mundi in 1999. Sir John Eliot Gardiner recorded his period-instrument version of the Ninth Symphony, conducting his Monteverdi Choir and Orchestre Révolutionnaire et Romantique in 1992. It was first released by Deutsche Grammophon in 1994 on their early music Archiv Produktion label as part of his complete cycle of the Beethoven symphonies. His soloists included Luba Orgonasova, Anne Sofie von Otter, Anthony Rolfe Johnson and Gilles Cachemaille. An additional period-instrument recording by Christopher Hogwood and the Academy of Ancient Music was released in 1997 under the label Éditions de l'Oiseau-Lyre.

At 79 minutes, one of the longest Ninths recorded is Karl Böhm's, conducting the Vienna Philharmonic in 1981 with Jessye Norman and Plácido Domingo among the soloists.

Osmo Vänskä, conducting the Minnesota Orchestra, recorded the symphony as part of a cycle of all the Beethoven Symphonies. Released on the BIS label, it included soloists Helena Juntunen, Katarina Karnéus, Daniel Norman and Neal Davies, as well as the Minnesota Chorale. It received a positive critical reception, including a Grammy Award nomination in the Best Orchestral Performance category.