A synthesizer patch (some manufacturers chose the term program) is a sound setting. Modular synthesizers used cables ("patch cords") to connect the different sound modules together. Since these machines had no memory to save settings, musicians wrote down the locations of the patch cables and knob positions on a "patch sheet" (which usually showed a diagram of the synthesizer). Ever since, an overall sound setting for any type of synthesizer has been known as a patch.
In mid–late 1970s, patch memory (allowing storage and loading of 'patches' or 'programs') began to appear in synths like the Oberheim Four-voice (1975/1976) and Sequential Circuits Prophet-5 (1977/1978). After MIDI was introduced in 1983, more and more synthesizers could import or export patches via MIDI SYSEX commands. When a synthesizer patch is uploaded to a personal computer that has patch editing software installed, the user can alter the parameters of the patch and download it back to the synthesizer. Because there is no standard patch language it is rare that a patch generated on one synthesizer can be used on a different model. However sometimes manufacturers design a family of synthesizers to be compatible.
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Famous quotes containing the word patch:
“Imperious Caesar, dead and turned to clay,
Might stop a hole to keep the wind away.
O that that earth which kept the world in awe
Should patch a wall t’expel the winter’s flaw!”
—William Shakespeare (1564–1616)
“I sing a hero’s head, large eye
And bearded bronze, but not a man,
Although I patch him as I can
And reach through him almost to man.”
—Wallace Stevens (1879–1955)
“Whatever patch of limb
he gazes on
with unblinking eyes,
I cover up
but I want him to see it all anyway.”
—Hla Stavhana (c. 50 A.D.)