Tattoo - Etymology

Etymology

The Oxford English Dictionary gives the etymology of tattoo as, "In 18th c. tattaow, tattow. From Polynesian tatau. In Tahitian, tatu." The word tatau was introduced as a loan word into English; its pronunciation was changed to conform to English phonology as "tattoo". Sailors on later voyages both introduced the word and reintroduced the concept of tattooing to Europe.

Tattoo enthusiasts may refer to tattoos as "ink", "pieces", "skin art", "tattoo art", "tats", or "work"; to the creators as "tattoo artists", "tattooers", or "tattooists"; and to places where they work as "tattoo shops", "tattoo studios", or "tattoo parlours".

Usage of the terms "skin art", "tattoo art", "pieces", and work" is gaining greater support, with mainstream art galleries holding exhibitions of both conventional and custom tattoo designs. Beyond Skin, at the Museum of Croydon, is an example of this as it challenges the stereotypical view of tattoos and who has them. Copyrighted tattoo designs that are mass-produced and sent to tattoo artists are known as "flash", a notable instance of industrial design. Flash sheets are prominently displayed in many tattoo parlors for the purpose of providing both inspiration and ready-made tattoo images to customers.

The Japanese word irezumi means "insertion of ink" and can mean tattoos using tebori, the traditional Japanese hand method, a Western-style machine, or for that matter, any method of tattooing using insertion of ink. The most common word used for traditional Japanese tattoo designs is Horimono. Japanese may use the word "tattoo" to mean non-Japanese styles of tattooing.

In Taiwan, facial tattoos of the Atayal tribe are called "Badasun"; they are used to demonstrate that an adult man can protect his homeland, and that an adult woman is qualified to weave cloth and perform housekeeping.

Anthropologist Ling Roth in 1900 described four methods of skin marking and suggested they be differentiated under the names "tatu", "moko", "cicatrix", and "keloid".