Thackeray - Works

Works

Thackeray began as a satirist and parodist, writing papers with a sneaking fondness for roguish upstarts like Becky Sharp in Vanity Fair and the title characters of The Luck of Barry Lyndon and Catherine. In his earliest works, writing under such pseudonyms as Charles James Yellowplush, Michael Angelo Titmarsh, and George Savage Fitz-Boodle, he tended towards the savage in his attacks on high society, military prowess, the institution of marriage, and hypocrisy.

One of his earliest works, "Timbuctoo" (1829), contained his burlesque upon the subject set for the Cambridge Chancellor's medal for English verse, (the contest was won by Tennyson with "Timbuctoo"). His writing career really began with a series of satirical sketches now usually known as The Yellowplush Papers, which appeared in Fraser's Magazine beginning in 1837. These were adapted for BBC Radio 4 in 2009, with Adam Buxton playing Charles Yellowplush.

Between May 1839 and February 1840, Fraser's published the work sometimes considered Thackeray's first novel, Catherine, originally intended as a satire of the Newgate school of crime fiction but ending up more as a rollicking picaresque tale in its own right.

In The Luck of Barry Lyndon, a novel serialised in Fraser's in 1844, Thackeray explored the situation of an outsider trying to achieve status in high society, a theme which he developed more successfully in Vanity Fair with the character of Becky Sharp, the artist's daughter who rises nearly to the heights by manipulating the other characters.

He is best known now for Vanity Fair, with its deft skewerings of human foibles and its roguishly attractive heroine. His large novels from the period after this, once described unflatteringly by Henry James as examples of "loose baggy monsters," have faded from view, perhaps because they reflect a mellowing in the author, who became so successful with his satires on society that he seemed to lose his zest for attacking it.

The later works include Pendennis, a sort of bildungsroman depicting the coming of age of Arthur Pendennis, a kind of alter ego of Thackeray who also features as the narrator of two later novels, The Newcomes and The Adventures of Philip. The Newcomes is noteworthy for its critical portrayal of the "marriage market," while Philip is noteworthy for its semi-autobiographical depiction of Thackeray's early life, in which the author partially regains some of his early satirical zest.

Also notable among the later novels is The History of Henry Esmond, in which Thackeray tried to write a novel in the style of the eighteenth century. In fact, the eighteenth century held a great appeal for Thackeray. Not only Esmond but also Barry Lyndon and Catherine are set then, as is the sequel to Esmond, The Virginians, which takes place in America and includes George Washington as a character who nearly kills one of the protagonists in a duel.