The Project's Sound
Most of the Project's titles, especially the early work, share common traits (likely influenced by Pink Floyd's The Dark Side of the Moon, on which Parsons was the audio engineer in 1973). They were concept albums, and typically began with an instrumental introduction which faded into the first song, often had an instrumental piece in the middle of the second LP side, and concluded with a quiet, melancholic, or powerful song. The opening instrumental was largely done away with by 1980; no later Project album except Eye in the Sky featured one (although every album includes at least one instrumental somewhere in the running order). The instrumental on that album, "Sirius", eventually became the best-known (or at least most frequently heard) Parsons instrumental. It was used as entrance music by various American sports teams, most notably by the Chicago Bulls during their 1990s NBA dynasty. It was also used as the entrance theme for Ricky Steamboat in pro wrestling of the mid-1980s. In addition, Sirius has been played in a variety of TV shows and movies including the episode "Vanishing Act" of The Adventures of Jimmy Neutron: Boy Genius, and the 2009 film Cloudy with a Chance of Meatballs.
The group was notable for using several vocal performers instead of having a single lead vocalist. Lead vocal duties were shared by guest vocalists chosen by their vocal style to complement each song. Woolfson sang lead on many of the group's hits (including "Time" and "Eye in the Sky") and the record company pressured Parsons to use him more, but Parsons preferred "real" singers, which Woolfson admitted he was not. In addition to Woolfson, Chris Rainbow, Lenny Zakatek, John Miles, David Paton and The Zombies' Colin Blunstone made regular appearances. Other singers, such as Arthur Brown, Procol Harum's Gary Brooker, Dave Terry aka Elmer Gantry, Vitamin Z's Geoff Barradale and Marmalade's Dean Ford, have recorded only once or twice with the Project. Parsons himself only sang lead on one song ("The Raven") through a vocoder, and can be heard singing backing vocals on a few others, including "To One in Paradise". Both of those songs appeared on Tales of Mystery and Imagination.
Although the vocalists varied, a small number of musicians worked with the Alan Parsons Project regularly. These core musicians contributed to the recognizable style of a Project song in spite of the varied singer lineup. Together with Parsons and Woolfson, the Project originally consisted of the group Pilot, with Ian Bairnson (guitar), David Paton (bass) and Stuart Tosh (drums). Pilot's keyboardist Billy Lyall also contributed. From Pyramid onwards, Tosh was replaced by Stuart Elliott of Cockney Rebel. Bairnson played on all albums and Paton stayed almost until the end. Andrew Powell appeared as arranger of orchestra (and often choirs) on all albums except Vulture Culture, when he was composing the score of Richard Donner's film Ladyhawke. This score was partly in the Project style, recorded by most of the Project regulars, and produced and engineered by Parsons. Powell also composed some material for the first two Project albums. From Vulture Culture onwards, Richard Cottle played as a regular member on synthesizers and saxophone.
Except for one occasion, the Project never played live during its original incarnation. This was because Woolfson and Parsons saw themselves mainly in the roles of writing and production, and also because of the technical difficulties of reproducing on stage the complex instrumentation used in the studio. In the 1990s things changed with the technology of digital samplers. The one occasion where the band was introduced as "The Alan Parsons Project" in a live performance was at Night of the Proms 1990 (at the time of the group's break-up), featuring all Project regulars except Woolfson who was present but behind the scenes, while Parsons stayed at the mixer except during the last song, where he played acoustic guitar.
Since 1994, a new version of the band has toured, with Parsons performing live acoustic guitar, keyboards and vocals, with various lineups. This latest incarnation is called the Alan Parsons Live Project, the name distinct from "The Alan Parsons Project", due to founder Parsons' break-up with Woolfson.
According to SonyBMG, there are no plans to release The Sicilian Defence.
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