Playwriting
From 1587 onwards he seems to have made a series of attempts at play writing, though most of those attributed to him are mainly conjectural. He probably never became an actor, and John Payne Collier's conclusion to that effect rested on the two assumptions that the "Lodge" of Philip Henslowe's manuscript was a player and that his name was Thomas, neither of which is supported by the text (see CM Ingleby, Was Thomas Lodge an Actor? 1868). Having been to sea with Captain Clarke in his expedition to Terceira and the Canaries, Lodge in 1591 made a voyage with Thomas Cavendish to Brazil and the Straits of Magellan, returning home by 1593. During the Canaries expedition, to beguile the tedium of his voyage, he composed his prose tale of Rosalynde, Euphues Golden Legacie, which, printed in 1590, afterwards furnished the story of Shakespeare's As You Like It. The novel, which in its turn owes some, though no very considerable, debt to the medieval Tale of Gamelyn (unwarrantably appended to the fragmentary Cookes Tale in certain manuscripts of Geoffrey Chaucer's works), is written in the euphuistic manner, but decidedly attractive both by its plot and by the situations arising from it. It has been frequently reprinted. Before starting on his second expedition he had published a historical romance, The History of Robert, Second Duke of Normandy, surnamed Robert the Devil; and he left behind him for publication Catharos Diogenes in his Singularity, a discourse on the immorality of Athens (London). Both appeared in 1591. Another romance in the manner of Lyly, Euphues Shadow, the Battaile of the Sences (1592), appeared while Lodge was still on his travels.
Lodge's known dramatic work is small in quantity. In conjunction with Robert Greene he, probably in 1590, produced in a popular vein the odd but far from feeble play, A Looking Glass for London and England (published 1594). He had already written The Wounds of Civil War (produced perhaps as early as 1587, and published in 1594, and put on as a play reading at the Globe Theatre on 7 February 1606), a good second-rate piece in the half-chronicle fashion of its age. Fleay saw grounds for assigning to Lodge Mucedorus and Amadine, played by the Queen's Men about 1588, a share with Robert Greene in George a Greene, the Pinner of Wakefield, and in Shakespeare's 2nd part of Henry VI; he also regards him as at least part-author of The True Chronicle of King Leir and his three Daughters (1594); and The Troublesome Raigne of John, King of England (c. 1588); in the case of two other plays he allowed the assignation to Lodge to be purely conjectural. That Lodge is the "Young Juvenal" of Greene's Groatsworth of Wit is no longer a generally accepted hypothesis. In the latter part of his life—possibly about 1596, when he published his Wits Miserie and the World's Madnesse, which is dated from Low Leyton in Essex, and the religious tract Prosopopeia (if, as seems probable, it was his), in which he repents him of his "lewd lines" of other days—he became a Catholic and engaged in the practice of medicine, for which Wood says he qualified himself by a degree at Avignon in 1600. Two years afterwards he received the degree of M.D. from Oxford University.
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