Film Scoring Career
His first major score was for the 1984 film Reckless. In 1992, Newman composed the score to Martin Brest's film Scent of a Woman. In 1994, he composed the scores to The Shawshank Redemption and Little Women, both of which garnered him two Academy Award Nominations. He also scored the film The War. In 1996, he scored Diane Keaton's Unstrung Heroes, receiving yet another Oscar nomination. In 1998, he scored Robert Redford's The Horse Whisperer as well as Meet Joe Black. In 1999, Newman composed the score to Sam Mendes' first feature film American Beauty, created using mainly percussion instruments. Newman believed the score helped move the film along without disturbing the "moral ambiguity" of the script, saying "It was a real delicate balancing act in terms of what music worked to preserve that." This was his first collaboration with Mendes, and he would go on to score all of the director's subsequent films except for Away We Go. He received a fourth Oscar nomination for this score, and although he lost again (to John Corigliano for The Red Violin), he did receive a Grammy and a BAFTA.
His critical and commercial success has continued in recent years with his scores for films such as Meet Joe Black, The Green Mile, Erin Brockovich, In the Bedroom, K-PAX and The Salton Sea. He was nominated consecutively for a further three Academy Awards, for Road to Perdition (2002), Finding Nemo (2003), and Lemony Snicket's A Series of Unfortunate Events (2004). However, he lost on each occasion, to Elliot Goldenthal (for Frida), Howard Shore (for The Lord of the Rings: The Return of the King), and Jan A. P. Kaczmarek (for Finding Neverland) respectively.
He was again nominated for an Oscar for scoring Steven Soderbergh's The Good German (2006). At the Oscar ceremony, he appeared in the opening segment by Errol Morris, who jokingly stated that Newman had been nominated for and failed to win an Oscar eight times. Newman replied: "No, I've failed seven but this will be my eighth", and indeed, he again lost, this time to Gustavo Santaolalla for Babel.
His first score since The Good German was for the 2008 animated film WALL-E, collaborating for the second time with director Andrew Stanton (with the first collaboration being Finding Nemo). The film won the Academy Award for Best Animated Feature (as had "Nemo"). Newman received two Oscar nominations: one for Best Original Score, and another for Best Original Song for "Down to Earth", which he co-wrote with Peter Gabriel. He was nominated in the Original Score category with two other veteran composers, James Newton-Howard and Danny Elfman, both of whom have also been nominated for several Oscars but each time unsuccessfully. Newman lost both the score and song nominations to A R Rahman for his work on Slumdog Millionaire. He and Peter Gabriel did however win a Grammy for "Down to Earth".
In 2008 Newman scored Towelhead and Sam Mendes' Revolutionary Road and in 2009 he scored Brothers. Newman's scores of 2011 include The Help, The Debt, and The Adjustment Bureau.
Newman scored the 23rd James Bond movie Skyfall, directed by his longtime collaborator Sam Mendes, which celebrates the film franchise's 50th anniversary.
Read more about this topic: Thomas Newman
Famous quotes containing the words film and/or career:
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)